Shakespeare and the Modern Stage: With Other EssaysConstable, 1906 - 251 sider |
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Side 4
... heart . Whoever seeks , therefore , by the production of Shakespearean drama chiefly to please the spectator's eye shows scant respect both for the dramatist and for the spectator , however unwittingly he tends to misrepresent the one ...
... heart . Whoever seeks , therefore , by the production of Shakespearean drama chiefly to please the spectator's eye shows scant respect both for the dramatist and for the spectator , however unwittingly he tends to misrepresent the one ...
Side 15
... heart might be expected to welcome the revival of a system which alone guarantees their talent and the work of the dramatist due recogni- tion , even if it leave histrionic incompetence no hope of escape from the scorn that befits it ...
... heart might be expected to welcome the revival of a system which alone guarantees their talent and the work of the dramatist due recogni- tion , even if it leave histrionic incompetence no hope of escape from the scorn that befits it ...
Side 27
... hearts and intellects , cannot have been ungrateful to him . To desire recognition for his work is for the artist an inevitable and a laudable ambition . A working dramatist by the circumstance of his calling ap- peals as soon as the ...
... hearts and intellects , cannot have been ungrateful to him . To desire recognition for his work is for the artist an inevitable and a laudable ambition . A working dramatist by the circumstance of his calling ap- peals as soon as the ...
Side 29
... hearts , " received a specially enthusiastic welcome from Elizabethan playgoers . It was acted within its first year of production re- peatedly ( " divers times " ) , not merely in London " and elsewhere , " but also - an unusual ...
... hearts , " received a specially enthusiastic welcome from Elizabethan playgoers . It was acted within its first year of production re- peatedly ( " divers times " ) , not merely in London " and elsewhere , " but also - an unusual ...
Side 30
... heart and in- tellect were for once in the right , that he was ac- claimed the greatest interpreter of human nature that literature had known , and , as subsequent ex- perience has proved , was likely to know . There is evidence that ...
... heart and in- tellect were for once in the right , that he was ac- claimed the greatest interpreter of human nature that literature had known , and , as subsequent ex- perience has proved , was likely to know . There is evidence that ...
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acting actor actor-manager actor-manager system actors and actresses artistic audience Ben Jonson Benson's Betterton biography career character Charles comedy contemporary critical Cymbeline D'Avenant D'Avenant's death dramatic art dramatist Drury Lane Dryden Elizabethan Elizabethan playgoer endeavour England English experience French genius gossip Hamlet Henry histrionic honour imagination interests of dramatic Jonson Julius Cæsar King less literary drama literature London London County Council Lowin Macbeth manager memory ment methods Midsummer Night's Dream modern monument moral municipal theatre nation never Nicholas Rowe oral tradition Othello patriotic instinct Pepys's performance Phelps Phelps's philosophy piece playgoing playhouse plays of Shakespeare poet poet's poetic poetry present produced realise rendered reputation Richard II rôles scene scenery scenic sentiment seventeenth century Shake Shakespeare's plays Shakespearean drama speare speare's spearean spectacular speech stage Stratford Stratford-on-Avon Tempest theatrical enterprise tion tragedy Twelfth Night William Beeston William D'Avenant writing wrote