Shakespeare and the Modern Stage: With Other EssaysConstable, 1906 - 251 sider |
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Side 3
... fact , deemed by the manager to be inadequate to satisfy the necessary commercial purposes of the theatre . The average purveyor of public entertain- ment reckons Shakespeare's plays among tasteless and colourless commodities , which ...
... fact , deemed by the manager to be inadequate to satisfy the necessary commercial purposes of the theatre . The average purveyor of public entertain- ment reckons Shakespeare's plays among tasteless and colourless commodities , which ...
Side 18
... fact to be accounted for ? Is it possible that it is attributable to some decay in us of the imagina- tion to a growing slowness on our part to ap- preciate works of imagination ? When one reflects on the simple mechanical contrivances ...
... fact to be accounted for ? Is it possible that it is attributable to some decay in us of the imagina- tion to a growing slowness on our part to ap- preciate works of imagination ? When one reflects on the simple mechanical contrivances ...
Side 19
... fact seems convincing testimony , not to the ability of Elizabethan or Jacobean boys - the nature of boys is a pretty permanent factor in human society -but to the superior imaginative faculty of adult Elizabethan or Jacobean playgoers ...
... fact seems convincing testimony , not to the ability of Elizabethan or Jacobean boys - the nature of boys is a pretty permanent factor in human society -but to the superior imaginative faculty of adult Elizabethan or Jacobean playgoers ...
Side 29
... fact , for the fancy that the plaudites were loud and long , when Shakespeare created the rôle of the " poor ghost " in the first production of his play of Hamlet in 1602. There is no doubt at all that Shakespeare conspicuously caught ...
... fact , for the fancy that the plaudites were loud and long , when Shakespeare created the rôle of the " poor ghost " in the first production of his play of Hamlet in 1602. There is no doubt at all that Shakespeare conspicuously caught ...
Side 35
... witnessing had been produced before the Court at Whitehall a few days earlier . Shakespeare's publishers were not above advertising facts like these , as may be seen by a survey of the title - pages of editions published.
... witnessing had been produced before the Court at Whitehall a few days earlier . Shakespeare's publishers were not above advertising facts like these , as may be seen by a survey of the title - pages of editions published.
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acting actor actor-manager actor-manager system actors and actresses artistic audience Ben Jonson Benson's Betterton biography career character Charles comedy contemporary critical Cymbeline D'Avenant D'Avenant's death dramatic art dramatist Drury Lane Dryden Elizabethan Elizabethan playgoer endeavour England English experience French genius gossip Hamlet Henry histrionic honour imagination interests of dramatic Jonson Julius Cæsar King less literary drama literature London London County Council Lowin Macbeth manager memory ment methods Midsummer Night's Dream modern monument moral municipal theatre nation never Nicholas Rowe oral tradition Othello patriotic instinct Pepys's performance Phelps Phelps's philosophy piece playgoing playhouse plays of Shakespeare poet poet's poetic poetry present produced realise rendered reputation Richard II rôles scene scenery scenic sentiment seventeenth century Shake Shakespeare's plays Shakespearean drama speare speare's spearean spectacular speech stage Stratford Stratford-on-Avon Tempest theatrical enterprise tion tragedy Twelfth Night William Beeston William D'Avenant writing wrote