Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 16Indiana University Press, 1993 |
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Side 3
... tradition . Vickers , however , is less interested in claiming popular artists to be worthy ( or unworthy ) of the tradition in which they may be placed than in using their work to critique the tradition itself . Thus , by exam- ining ...
... tradition . Vickers , however , is less interested in claiming popular artists to be worthy ( or unworthy ) of the tradition in which they may be placed than in using their work to critique the tradition itself . Thus , by exam- ining ...
Side 7
... tradition that interprets the norms of the love song within the confines of its electronically reproduced manifestations . That perspective is itself , I think , limited . For popular love songs , as we know them , constitute complex ...
... tradition that interprets the norms of the love song within the confines of its electronically reproduced manifestations . That perspective is itself , I think , limited . For popular love songs , as we know them , constitute complex ...
Side 22
... tradition and historical memory is not per se a right - wing enterprise . The predominant left response to this question of German traditions remains too enamored of the ritu- als of antifascism which have been recharged by the new ...
... tradition and historical memory is not per se a right - wing enterprise . The predominant left response to this question of German traditions remains too enamored of the ritu- als of antifascism which have been recharged by the new ...
Indhold
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
The Monstrous Union of Virginia Woolf and Marilyn Monroe | 71 |
Copyright | |
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Aboriginal aesthetic American Anita Hill argues artist Barthes Barthes's become Benjamin body boredom Brassaï camera Cindy Sherman cinema contemporary critical critique cyborg D.W. Griffith DC COMICS death Deleuze desire discourse Dracula Duchenne essay example experience face fantasy Father Figure female feminine feminism feminist fetish fiction film gender genre George Michael German gesture homosexuality Hong Kong Hong Kong cinema human identity issues Kristeva labor language look lyric machine male Marilyn Monroe means medical photography Megan melancholia modern Moffatt Monroe mother Munby myth narrative nation Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question reality relation representation Roland Barthes Routledge semiotic sexual Sherman social space story Studies Superman Tania Modleski Teleny television theater theory tion Tracey Moffatt tradition Trans truth vampire viewer Virginia Woolf virtual visual woman women writing York