Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 16Indiana University Press, 1993 |
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Side 79
... past are no longer historical ; they are images , simulacra , and pastiches of the past . They are effectively a way of satisfying a chemical craving for historicity , using a product that substitutes for and blocks it .... [ N ] ...
... past are no longer historical ; they are images , simulacra , and pastiches of the past . They are effectively a way of satisfying a chemical craving for historicity , using a product that substitutes for and blocks it .... [ N ] ...
Side 92
... past . The Madonna remake , regardless of its slickness , and despite its banality , nevertheless returns us to a specific past , and to a par- ticular set of photographs , in order to retrieve a moment in history when it seemed ...
... past . The Madonna remake , regardless of its slickness , and despite its banality , nevertheless returns us to a specific past , and to a par- ticular set of photographs , in order to retrieve a moment in history when it seemed ...
Side 134
... past . Aboriginal paintings cover the walls , the camera dollies past the set , the color of the film image fades , and an Aboriginal woman looks at us from the past , cen- turies ago . The present is permeated and sanctioned by the ...
... past . Aboriginal paintings cover the walls , the camera dollies past the set , the color of the film image fades , and an Aboriginal woman looks at us from the past , cen- turies ago . The present is permeated and sanctioned by the ...
Indhold
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
The Monstrous Union of Virginia Woolf and Marilyn Monroe | 71 |
Copyright | |
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Aboriginal aesthetic American Anita Hill argues artist Barthes Barthes's become Benjamin body boredom Brassaï camera Cindy Sherman cinema contemporary critical critique cyborg D.W. Griffith DC COMICS death Deleuze desire discourse Dracula Duchenne essay example experience face fantasy Father Figure female feminine feminism feminist fetish fiction film gender genre George Michael German gesture homosexuality Hong Kong Hong Kong cinema human identity issues Kristeva labor language look lyric machine male Marilyn Monroe means medical photography Megan melancholia modern Moffatt Monroe mother Munby myth narrative nation Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question reality relation representation Roland Barthes Routledge semiotic sexual Sherman social space story Studies Superman Tania Modleski Teleny television theater theory tion Tracey Moffatt tradition Trans truth vampire viewer Virginia Woolf virtual visual woman women writing York