Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 16Indiana University Press, 1993 |
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Side 91
... body only began to incite " fear " in the last nude photographs , when even the beauty of the face couldn't hide the signs of her suffering and her impend- ing death : " Her body looked ravaged and ill , already drained of life ...
... body only began to incite " fear " in the last nude photographs , when even the beauty of the face couldn't hide the signs of her suffering and her impend- ing death : " Her body looked ravaged and ill , already drained of life ...
Side 33
... body in relation to the photographer's , and hence , the viewer's , gaze . Photography does not record a body in representation but produces a body for representation . Representatives of the mine owners opposed any further cur ...
... body in relation to the photographer's , and hence , the viewer's , gaze . Photography does not record a body in representation but produces a body for representation . Representatives of the mine owners opposed any further cur ...
Side 59
... body part to assume its own autonomous role ? 4 ) Or was the fragmentation of the body as such meant to discourage its use as totalizing figure of unity , enabling us to view the body as the sum of all its unrelated and disconnected ...
... body part to assume its own autonomous role ? 4 ) Or was the fragmentation of the body as such meant to discourage its use as totalizing figure of unity , enabling us to view the body as the sum of all its unrelated and disconnected ...
Indhold
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
The Monstrous Union of Virginia Woolf and Marilyn Monroe | 71 |
Copyright | |
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Aboriginal aesthetic American Anita Hill argues artist Barthes Barthes's become Benjamin body boredom Brassaï camera Cindy Sherman cinema contemporary critical critique cyborg D.W. Griffith DC COMICS death Deleuze desire discourse Dracula Duchenne essay example experience face fantasy Father Figure female feminine feminism feminist fetish fiction film gender genre George Michael German gesture homosexuality Hong Kong Hong Kong cinema human identity issues Kristeva labor language look lyric machine male Marilyn Monroe means medical photography Megan melancholia modern Moffatt Monroe mother Munby myth narrative nation Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question reality relation representation Roland Barthes Routledge semiotic sexual Sherman social space story Studies Superman Tania Modleski Teleny television theater theory tion Tracey Moffatt tradition Trans truth vampire viewer Virginia Woolf virtual visual woman women writing York