Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 16Indiana University Press, 1993 |
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Side 73
... Woolf ( figure 3 ) on Rosie's wall in Sammy and Rosie Get Laid , where it looks out at the actors and towards the viewers during many of the central scenes . For Sammy , Virginia Woolf stands on the side of beauty ; when asked by Rosie ...
... Woolf ( figure 3 ) on Rosie's wall in Sammy and Rosie Get Laid , where it looks out at the actors and towards the viewers during many of the central scenes . For Sammy , Virginia Woolf stands on the side of beauty ; when asked by Rosie ...
Side 86
... Woolf also becomes an avatar of the femme fatale , that deadly provocateur of both discourse and desire . Writing of ... Woolf but Monroe , demanding a reconfigura- tion of the Woolf / Monroe hybrid : its re - presentation not as a ...
... Woolf also becomes an avatar of the femme fatale , that deadly provocateur of both discourse and desire . Writing of ... Woolf but Monroe , demanding a reconfigura- tion of the Woolf / Monroe hybrid : its re - presentation not as a ...
Side 88
... Woolf's face fills the screen . Two moments in particular stand out . The first is Paulin's statement that " the great mystery of Woolf's posthumous acclaim " resides in part " in the fragile beauty of her more flattering portraits ...
... Woolf's face fills the screen . Two moments in particular stand out . The first is Paulin's statement that " the great mystery of Woolf's posthumous acclaim " resides in part " in the fragile beauty of her more flattering portraits ...
Indhold
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
The Monstrous Union of Virginia Woolf and Marilyn Monroe | 71 |
Copyright | |
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Aboriginal aesthetic American Anita Hill argues artist Barthes Barthes's become Benjamin body boredom Brassaï camera Cindy Sherman cinema contemporary critical critique cyborg D.W. Griffith DC COMICS death Deleuze desire discourse Dracula Duchenne essay example experience face fantasy Father Figure female feminine feminism feminist fetish fiction film gender genre George Michael German gesture homosexuality Hong Kong Hong Kong cinema human identity issues Kristeva labor language look lyric machine male Marilyn Monroe means medical photography Megan melancholia modern Moffatt Monroe mother Munby myth narrative nation Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question reality relation representation Roland Barthes Routledge semiotic sexual Sherman social space story Studies Superman Tania Modleski Teleny television theater theory tion Tracey Moffatt tradition Trans truth vampire viewer Virginia Woolf virtual visual woman women writing York