Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 33,Oplag 3Indiana University Press, 2011 |
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Side 301
... spectator from the core of his being " ( TOF , li ) and abandons narrative altogether . For his or her part , the filmmaker is nothing short of an endangered explorer who " sets out to tell a story but , in shooting it , is so ...
... spectator from the core of his being " ( TOF , li ) and abandons narrative altogether . For his or her part , the filmmaker is nothing short of an endangered explorer who " sets out to tell a story but , in shooting it , is so ...
Side 333
... spectator into a circuit of virtual influence and invisible forces of attraction . In this regard , we could understand the Lumière film as an early experiment with offscreen space , which does not establish continuity of action but ...
... spectator into a circuit of virtual influence and invisible forces of attraction . In this regard , we could understand the Lumière film as an early experiment with offscreen space , which does not establish continuity of action but ...
Side 334
... spectator gets suspended in the luminous interval between the projector and the screen and becomes closed off from the outer world , and how this suspension gives rise to a “ phantom existence " within the sub- ject , an " unexpected ...
... spectator gets suspended in the luminous interval between the projector and the screen and becomes closed off from the outer world , and how this suspension gives rise to a “ phantom existence " within the sub- ject , an " unexpected ...
Indhold
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Copyright | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York