Discourse, Bind 33,Oplag 32011 |
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Side 306
... specific terrain of Scott's journey finally disappear altogether as the men venture ever deeper into what Ponting , in his memoir names , " the heart of the Great Alone . " 40 For minutes at a time , the camera scans a hand- drawn ...
... specific terrain of Scott's journey finally disappear altogether as the men venture ever deeper into what Ponting , in his memoir names , " the heart of the Great Alone . " 40 For minutes at a time , the camera scans a hand- drawn ...
Side 307
... specific , cinematic space into a transcendental resting place for England's fallen heroes . The film's final image is a hand - rendered sketch of Scott's grave , as if Ponting , knowing Kracauer's reading of the Rhine , feared that his ...
... specific , cinematic space into a transcendental resting place for England's fallen heroes . The film's final image is a hand - rendered sketch of Scott's grave , as if Ponting , knowing Kracauer's reading of the Rhine , feared that his ...
Side 338
... specific kind of “ will to power , ” which is the cinema's power to modify memory by fabulating the past , to produce reality by animating imagination , and thus to reconfigure the world in which the subject lives . * What does The ...
... specific kind of “ will to power , ” which is the cinema's power to modify memory by fabulating the past , to produce reality by animating imagination , and thus to reconfigure the world in which the subject lives . * What does The ...
Indhold
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Copyright | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin's Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York