Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 33,Oplag 3Indiana University Press, 2011 |
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Side 330
... screen ( see figure 1d ) : the external world has receded from the fields of visibility and awareness , and what remains is a concentrated luminous circuit between Suzanne and the screen . This visual play of light and shadow , of ...
... screen ( see figure 1d ) : the external world has receded from the fields of visibility and awareness , and what remains is a concentrated luminous circuit between Suzanne and the screen . This visual play of light and shadow , of ...
Side 334
... screen and becomes closed off from the outer world , and how this suspension gives rise to a “ phantom existence " within the sub- ject , an " unexpected vampire " or a machinelike giant , who groans , laughs , and dreams through the ...
... screen and becomes closed off from the outer world , and how this suspension gives rise to a “ phantom existence " within the sub- ject , an " unexpected vampire " or a machinelike giant , who groans , laughs , and dreams through the ...
Side 335
... screen and the soul established by the hypnotic - like play of light and shadow is meant to create new memories , new pasts . The picture of mem- ory the film draws is hence somewhat different from the one often associated with ...
... screen and the soul established by the hypnotic - like play of light and shadow is meant to create new memories , new pasts . The picture of mem- ory the film draws is hence somewhat different from the one often associated with ...
Indhold
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Copyright | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York