Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 33,Oplag 3Indiana University Press, 2011 |
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Side 306
... narration momentarily gives way to intertitles , and sound cinema momentarily reverts to its silent system of signification . Because the movie camera was too cumbersome for Scott to carry to the pole , gradually the filmic record of ...
... narration momentarily gives way to intertitles , and sound cinema momentarily reverts to its silent system of signification . Because the movie camera was too cumbersome for Scott to carry to the pole , gradually the filmic record of ...
Side 338
... narration of time that ceases to claim to be true and is operated by " a power of the false which replaces and supersedes the form of the true , because it poses ... the co - existence of not - necessarily true pasts . " 47 Here , the ...
... narration of time that ceases to claim to be true and is operated by " a power of the false which replaces and supersedes the form of the true , because it poses ... the co - existence of not - necessarily true pasts . " 47 Here , the ...
Side 346
... narrator who introduces him as the text's protagonist by his name , his rough age , and his profession : “ Georg Bendemann , a young merchant " ( 43 ) . While being identified as such , Georg sits " in his private room . " The narrator ...
... narrator who introduces him as the text's protagonist by his name , his rough age , and his profession : “ Georg Bendemann , a young merchant " ( 43 ) . While being identified as such , Georg sits " in his private room . " The narrator ...
Indhold
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Copyright | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York