Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 33,Oplag 3Indiana University Press, 2011 |
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Side 381
... language slides swiftly off her tongue , floods the walls of their hollow ears with her language they call their own " ( 9 : 28-9 : 36 ) . Like Henri's " Self - Portrait , 1928 , " Pinched Cheeks thematizes the power of framing over the ...
... language slides swiftly off her tongue , floods the walls of their hollow ears with her language they call their own " ( 9 : 28-9 : 36 ) . Like Henri's " Self - Portrait , 1928 , " Pinched Cheeks thematizes the power of framing over the ...
Side 384
... language " that is " her language " is nei- ther nostalgically original nor statically restored , neither Creon's polis " free of defilement " nor Calendar's church and fortress stills . Rather , it " slides swiftly off her tongue " and ...
... language " that is " her language " is nei- ther nostalgically original nor statically restored , neither Creon's polis " free of defilement " nor Calendar's church and fortress stills . Rather , it " slides swiftly off her tongue " and ...
Side 396
... language " as flexible and subtle as written language . " 16 A point of departure for the auteur theory that coalesced around the Nouvelle Vague , Astruc's notion of caméra - stylo resurfaces in our context less for its potentially ...
... language " as flexible and subtle as written language . " 16 A point of departure for the auteur theory that coalesced around the Nouvelle Vague , Astruc's notion of caméra - stylo resurfaces in our context less for its potentially ...
Indhold
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Copyright | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York