Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 33,Oplag 3Indiana University Press, 2011 |
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Side 329
... Forgetting thus became seen as intrinsic to subjectivity , both so - called normal and pathological . The fact that we forget also made us something that is not one but always already potentially many . Fouillée pointed out that the new ...
... Forgetting thus became seen as intrinsic to subjectivity , both so - called normal and pathological . The fact that we forget also made us something that is not one but always already potentially many . Fouillée pointed out that the new ...
Side 337
... forget by implanting memories of events that had never taken place . In the case of Kador , it seems that this power also means the power of making one forget ; however , at this time , making one forget forgetfulness itself by ...
... forget by implanting memories of events that had never taken place . In the case of Kador , it seems that this power also means the power of making one forget ; however , at this time , making one forget forgetfulness itself by ...
Side 338
... forget . Memory , like the indi- vidual , became something uncertain , suggestible , and malleable . Secondly , the ... forget and implementing false memories . This is the most radical argument Kador puts forward : that cinematic ...
... forget . Memory , like the indi- vidual , became something uncertain , suggestible , and malleable . Secondly , the ... forget and implementing false memories . This is the most radical argument Kador puts forward : that cinematic ...
Indhold
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Copyright | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York