Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 33,Oplag 3Indiana University Press, 2011 |
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Side 295
... film . And Antarctica , through its very challenges to representation , serves as an example of an envi- ronment outside of nature . Strange Nature In his 1960 Theory of Film , Kracauer ponders cinema's antireferential depiction of ...
... film . And Antarctica , through its very challenges to representation , serves as an example of an envi- ronment outside of nature . Strange Nature In his 1960 Theory of Film , Kracauer ponders cinema's antireferential depiction of ...
Side 305
... film production ) , that the system of cinematographic representation in both films , fragmentary at the outset , breaks down completely . 90 ° South , on Scott's journey , is perhaps the most interesting in this regard . As the first ...
... film production ) , that the system of cinematographic representation in both films , fragmentary at the outset , breaks down completely . 90 ° South , on Scott's journey , is perhaps the most interesting in this regard . As the first ...
Side 307
... film attests to the authen- ticity of what remains : “ The missing documents are the negative imprints of an expedition . " Such films present us with " the pre- mature ruins of a film that was never completed . " 41 Kracauer , however ...
... film attests to the authen- ticity of what remains : “ The missing documents are the negative imprints of an expedition . " Such films present us with " the pre- mature ruins of a film that was never completed . " 41 Kracauer , however ...
Indhold
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Copyright | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York