Discourse, Bind 33,Oplag 32011 |
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Side 353
... fear of being covered up himself ) . He occupies the mother's womb , he replaces Georg's letters with his own , he stands in for the friend ( " I've been representing him here on the spot " [ 30 ] ) , and he will even play the role of ...
... fear of being covered up himself ) . He occupies the mother's womb , he replaces Georg's letters with his own , he stands in for the friend ( " I've been representing him here on the spot " [ 30 ] ) , and he will even play the role of ...
Side 365
... fear of the fundamental openness of textuality . While driven by the desire to inscribe himself in Kafka's text , a reader who identifies with Kafka's misery serves Kafka's authorial program and only reinscribes the endless return of ...
... fear of the fundamental openness of textuality . While driven by the desire to inscribe himself in Kafka's text , a reader who identifies with Kafka's misery serves Kafka's authorial program and only reinscribes the endless return of ...
Side 368
... fear about a generalized threat to humanity.1 By the end of " The International of Decent Feelings , " this critique itself gives way to the twenty - eight - year - old Althusser's own , Marxist- Christian notion of humanity.5 However ...
... fear about a generalized threat to humanity.1 By the end of " The International of Decent Feelings , " this critique itself gives way to the twenty - eight - year - old Althusser's own , Marxist- Christian notion of humanity.5 However ...
Indhold
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Copyright | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin's Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York