Discourse, Bind 33,Oplag 32011 |
Fra bogen
Resultater 1-3 af 6
Side 338
... argument Kador puts forward : that cinematic images amount to new descriptions of the past , and that we go to the cinema to forget . Like hypnosis , cinema renders our subjective pasts as indeterminate . Cinema's memoropolitical power ...
... argument Kador puts forward : that cinematic images amount to new descriptions of the past , and that we go to the cinema to forget . Like hypnosis , cinema renders our subjective pasts as indeterminate . Cinema's memoropolitical power ...
Side 361
... argument about the exact character of the failure ( see Kenneth Hughes , " A Psychoanalytic Approach to ' The Judgment , " " in Approaches to Teaching Kafka's Short Fiction , ed . Richard Gray , Approaches to Teaching World Literature ...
... argument about the exact character of the failure ( see Kenneth Hughes , " A Psychoanalytic Approach to ' The Judgment , " " in Approaches to Teaching Kafka's Short Fiction , ed . Richard Gray , Approaches to Teaching World Literature ...
Side 364
... argument that the story ultimately passes judgment on the kind of writer Georg is made to figure in the beginning of the story ( an author with a " complacent capacity of closure ” [ “ Tradition and Betrayal , ” 97 ] ) . This reading ...
... argument that the story ultimately passes judgment on the kind of writer Georg is made to figure in the beginning of the story ( an author with a " complacent capacity of closure ” [ “ Tradition and Betrayal , ” 97 ] ) . This reading ...
Indhold
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Copyright | |
3 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin's Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York