Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 33,Oplag 3Indiana University Press, 2011 |
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Side 316
... argument . 1. For an example , see the shots of the Endurance taken at night by director Frank Hurley in the film South : Ernest Shackleton and the Endurance Expedition ( 1919 ) . Read Herbert G. Ponting's explanation of flash ...
... argument . 1. For an example , see the shots of the Endurance taken at night by director Frank Hurley in the film South : Ernest Shackleton and the Endurance Expedition ( 1919 ) . Read Herbert G. Ponting's explanation of flash ...
Side 338
... argument Kador puts forward : that cinematic images amount to new descriptions of the past , and that we go to the cinema to forget . Like hypnosis , cinema renders our subjective pasts as indeterminate . Cinema's memoropolitical power ...
... argument Kador puts forward : that cinematic images amount to new descriptions of the past , and that we go to the cinema to forget . Like hypnosis , cinema renders our subjective pasts as indeterminate . Cinema's memoropolitical power ...
Side 415
... argument . If Medea and Medusa , in their peculiar combination of victimhood and vengefulness , are the exemplary feminine faces of horror , what relationship do they have to Primo Levi's musselmänner those disintegrated persons ...
... argument . If Medea and Medusa , in their peculiar combination of victimhood and vengefulness , are the exemplary feminine faces of horror , what relationship do they have to Primo Levi's musselmänner those disintegrated persons ...
Indhold
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Copyright | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York