Discourse, Bind 33,Oplag 32011 |
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Side 346
... Georg had told his friend about the engagement of an unimport- ant man to an equally unimportant girl ” ( 47 ) . Displacement and repetition : the letters are dreams sent by the unconscious Georg , to his friend " abroad [ im Ausland ] ...
... Georg had told his friend about the engagement of an unimport- ant man to an equally unimportant girl ” ( 47 ) . Displacement and repetition : the letters are dreams sent by the unconscious Georg , to his friend " abroad [ im Ausland ] ...
Side 353
... Georg forgot to take his writing implements away from him . The Father can tell right from wrong and has no trouble imparting to Georg's distant self the correct reading of the letter , the one he can hold up in his “ right hand ” ( 59 ) ...
... Georg forgot to take his writing implements away from him . The Father can tell right from wrong and has no trouble imparting to Georg's distant self the correct reading of the letter , the one he can hold up in his “ right hand ” ( 59 ) ...
Side 354
Georg rises " in embarrassment " as if to abandon his project and leave the room ( 52 ) . The movement into the upright position marks the mecha- nism of repression . The head takes its distance from the lower parts of the body , not ...
Georg rises " in embarrassment " as if to abandon his project and leave the room ( 52 ) . The movement into the upright position marks the mecha- nism of repression . The head takes its distance from the lower parts of the body , not ...
Indhold
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Copyright | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin's Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York