Discourse, Bind 33,Oplag 32011 |
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Side 305
... frame for the effect of perspective . Indeed , the crew preferred to move about in the frame for Ponting's films because they feared they would lit- erally freeze posing for his still camera.38 The film reveals ice to us as a soulless ...
... frame for the effect of perspective . Indeed , the crew preferred to move about in the frame for Ponting's films because they feared they would lit- erally freeze posing for his still camera.38 The film reveals ice to us as a soulless ...
Side 381
... frame of the mirror — perhaps the girl - how to make Armenian coffee and how to read your destiny from the grounds that gather in the cup . After the woman has finished , she stands up and walks out of the frame of the mirror , and the ...
... frame of the mirror — perhaps the girl - how to make Armenian coffee and how to read your destiny from the grounds that gather in the cup . After the woman has finished , she stands up and walks out of the frame of the mirror , and the ...
Side 382
... frame of the mirror's image . These scenes echo a trope of many trans narra- tives , linking a gendered childhood to a trans adulthood in a way that raises questions about how gendered and sexed identities are secured.32 Interpreted ...
... frame of the mirror's image . These scenes echo a trope of many trans narra- tives , linking a gendered childhood to a trans adulthood in a way that raises questions about how gendered and sexed identities are secured.32 Interpreted ...
Indhold
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Copyright | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin's Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York