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TOWARDS the end of March last the Shakespearean world was startled by the appearance in the London and Birmingham papers of an advertisement, offering for sale one of the few remaining buildings which are closely identified with the life of Shakespeare-the house known as Anne Hathaway's cottage, and situated at Shottery, an outlying hamlet in the parish of Stratford-on-Avon. Never, perhaps, since the days when it was rumoured that the great Barnum was in negotiation for the poet's Birthplace with a view to its removal to America, has the proposed sale of any historic building created more intense excitement in the literary world; and this excitement was increased when it was reported that the trustees of Shakespeare's Birthplace had been in treaty with the owner for the acquisition of the property, but had hesitated to sacrifice the sum at which it was offered to them, viz., three thousand three hundred pounds, or three hundred pounds more than had been paid in 1848 for the Birthplace itself.

Meanwhile the trustees, or rather the small number of them who form the executive committee, were fully alive to the gravity of the situation. On the one hand, it was evident that to allow Anne Hathaway's cottage to pass into the hands of strangers, and perhaps to be removed from Stratford, and even from England, was a danger which must be averted at

any cost. On the other hand, it was no less keenly felt that the price demanded was altogether a fancy one; that to accept it was not only to swallow up the whole of the funds at the disposal of the trustees, but also to mortgage the income of the trust for for some time to come; and that in the event of opportunity offering to purchase any other object of Shakespearean interest, such as Mary Arden's cottage at Wilmcote, or a copy of the first folio of 1623, the trustees would find themselves powerless to act.

Under these circumstances it was considered wise, if possible, to gain sufficient time to allow the whole body of the trustees to be convened; and a letter was accordingly sent to Alderman W. Thompson, the owner of the property, who is also one of the trustees of Shakespeare's Birthplace, asking him, if possible, to postpone any negotiations for the sale of the property until after the annual general meeting of the trustees on the fifth of May.

Mr. Thompson's reply was to the effect that, while he would otherwise have been happy to meet the views of the trustees, the fact that the property had been advertised for sale, and that several offers had already been made for it, rendered it necessary for him to proceed at once, and that he could only give the executive committee until the end of the week to come to a decision.

Meanwhile an indirect hint was conveyed to the committee that Mr. Thompson would be willing to accept the sum of three thousand pounds for the property, and this was confirmed by Mr. Thompson himself, when directly appealed to on the subject by the chairman of the trustees, Mr. C. E. Flower.

With this proposal before them, the executive committee met on the thirty-first of March, and, after some discussion, unanimously agreed to accept Mr. Thompson's offer. A memorandum of agreement was at once drawn up by the solicitors acting for the trustees, and as soon as the requisite formalities can be completed, Anne Hathaway's cottage will pass into their hands to be held in trust for the nation. As the advertisement offering the property for sale only appeared in the papers of March twenty-fourth, and the resolution to purchase was adopted on the thirty-first, the executive committee can hardly be accused of having allowed the grass to grow under their feet. It is to be hoped that their prompt action and their

readiness to take upon themselves the responsibility of acting in his emergency, will gam the approval, not only of the whole body of the trustees, but also of the general public.

The house which has thus become the property of the nation has a long and Interesting history. It is known to have been tenanted in the sixteenth century by one Richard Hathaway who died in 1581, and who is supposed to have been the father of the Anne Hathaway of the poet's love After his death it was held by his widow, Joan Hathaway, and after her by her son, Bartholomew, by whom was purchased in 1610, and by him bequeathed to his son John, The male line of the Hathaways became extinct in 1746 but the property remained in the family until 1838, when it was purchased from them by Mr. Barnes of Luddington, under whose will it came into the possession of Mr. Thompson. In spite, however, of the alienation of the property, the representatives of the family have continued to reside in the building as tenants, and its present occupant, Mrs. Baker, is a direct descendant of Richard Hathaway himself. The important question from a Shakespearean point of view is, of course, this Was the Anne Hathaway whom Shakespeare married, the daughter of the Richard Hathaway who occupied the house in 1581?

The evidence on this point has been collected with his usual assiduity by the late J. C. Halliwell-Phillipps, in the second volume of his "Outlines of the Life of Shakespeare;" but as, in the first place, this work is not readily accessible to all the readers of "All the Year Round;" and as, in the second place, the learned author is here, perhaps, not quite free from the reproach of having been unable to see the wood for the trees a succinct statement of the main points may not be unwelcome.

The chain of evidence starts with the marriage bond given to the officers of the Bishop of Worcester, in November, 1582, on behalf of William Shakespeare, on the application for the issue of a licence for the marriage which was shortly to take place between himself and Anne Hathaway. As, to quote the words of Mr. HalliwellPhillipps, this marriage bond "includes the only evidences respecting Anne Hathaway during her maidenhood that have yet been discovered," it will be well to commence by quoting it in extenso.

"Noverint universi per presentes nos Falconem Sandells de Stratford in comitatu Warwicensi, agricolam, et Johannem Rychardson, ibidem agricolam, teneri et firmiter obligari Ricardo Cosin, generoso, et Roberto Warmstry, notario publico, in quadraginta libris bone et legalis monete Anglie solvendis eisdem Ricardo et Roberto, heredibus, executoribus vel assignatis suis, ad quam quidem solucionem bene et fideliter faciendam obligamus nos et utrumque nostrum, per se pro toto et in solidum, heredes, executores, et administratores nostros, firmiter per presentes sigillis nostris sigillatas. Datum 28 die Novembris anno regine domine nostre Elizabethe, Dei gratia Anglie Francie, et Hiberniè regine, dei defensoris, etc., 25°. The condicion of his obligacion ys such that, if herafter there hall not appere any lawfull lett or impediment, by reason of any precontract, consanguinitie, affinitie, or by any other lawfull meanes whatsoever, but that William Shagspere one thone partie, and Anne Hathwey, of Stratford in the dioces of Worcester, maiden, may lawfully solemnize matrimony together, and in the same afterwards remaine and continew like man and wiffe, according unto the lawes in that behalf provided; and, moreover, if there be not at this present time any action, sute, quarrell or demaund moved or depending before any judge, ecclesiasticall or temporall, for and concerning any suche lawfull ett or impediment; and moreover, if the said William Shagspere do not proceed to solemnizacion of mariadg with the said Anne Hathway without the consent of hir frindes; and also if the said William do, upon his owne proper costes and expenses defend and save harmles the right reverend Father in God, Lord John Bushop of Worcester and his offycers, for licencing them the said William and Anne to be maried together with once asking of the bannes of matrimony betwene them, and for all other causes which may ensue by reason and occasion therof that then the said obligacion to be voyd and of none effect, or els to stand and abide in full force and vertue."

The first point to notice about this bond is that it stipulates for the consent of the friends of "Anne Hathwey, and does not stipulate for the consent of the friends of William Shagspere. This implies not only that the marriage was being urged on by her friends and not by his, but also that the bondsmen felt themselves to be in a position to secure the consent of her

friends-that is, that they stood on a foot-j singly may be insufficient to establish the ing of intimacy, if not of authority, with her family.

Now the bondsmen in this case are Fulk Sandells and John Richardson, both of Shottery; and of these, Fulk Sandells is one of the executors of the will of Richard Hathaway in September, 1581, and John Richardson is one of the witnesses to the same will.

More than this, the bond is said to be "sigillis nostris sigillatas "-" sealed with our seals"; it is in effect sealed with two seals, one of which bears the letters "R. H." It is almost impossible to avoid the inference that this is the seal of Richard Hathaway, used by Fulk Sandells as his representative under his will.

Again, the phrase "without the consent of hir frindes," where we should expect "of her parents," may fairly be taken as establishing a probability that Anne Hathaway's father was not living at the time of the marriage; and this also would fit in with the facts relating to Richard Hathaway, who had been dead over a year when the marriage took place.

As collateral pieces of evidence, it may be noted

1st. That John Shakespeare, the father of the poet, is known to have been on intimate terms with a Richard Hathaway as early as 1566.

2nd. That, whereas in Richard Hathaway's will of 1581 there is an acknowledgement of his indebtedness in the sum of "fower poundes sixe shillinges fower pence," to one Thomas Whittington, whom he describes as "my sheepherd," the poet's wife is shown to have been in friendly relations, and to have owed money to the same Thomas Whittington at his death in April, 1601; for by his will, dated March of the same year, he bequeaths "unto the poore people of Stratford xls., that is in the hand of Anne Shakspere, and is due debt unto me."

It would be at least curious that these relations should have existed between Anne Shakespeare and a man in the position of Thomas Whittington, unless there were something in the previous history of her family to account for them.

3rd. John Hall, Anne Shakespeare's sonin-law, is the executor of the will of Bartholomew Hathaway, eldest son of Richard, in 1621, and trustee of the marriage settlement of Bartholomew's grand-daughter in 1625.

These facts, though each of them taken

relationship of Anne Hathaway with the family of Richard Hathaway, and therefore her connection with the house known as Anne Hathaway's cottage, form, when taken together, a body of cumulative evidence, the cogency of which it is very hard to resist. For on any other hypothesis than the generally accepted one that Anne Hathaway was a daughter of Richard, we should have to assume that the facts in question are merely a number of chance coincidences which have come together over a series of years, although the antecedent probability against each of them is very great, and the antecedent improbability of their concurrence almost infinite.

Against this body of evidence the only important fact to be set is the omission of Anne's name from the will of Richard in 1581.

Now it is quite true that this fact, thus baldly stated, appears to be in itself an important reason for hesitating to connect Anne Hathaway with the family of Richard. But, on the other hand, Mr. Halliwell-Phillipps has abundantly proved, in the second volume of his "Outlines," that the names Anne and Agnes were at this time treated as convertible, and that even in the same register the same person appears at one time as Agnes and at another as Anne; and in the will of Richard Hathaway the name of his eldest daughter appears as Agnes.

This objection being thus set aside, if, indeed, it be not converted into a positive argument for the affirmative, and the remaining objections not being of sufficient weight seriously to weigh against the conclusion to which we have arrived, we may safely conclude that there is a very high degree of probability, amounting, indeed, to something very like certainty, that the house which has just been acquired for the nation is that in which Anne Hathaway was born, and in which the days of her maidenhood were spent; and, consequently, that it was also the scene of Shakespeare's courtship.

It has been already stated that Anne Hathaway's cottage is situated at Shottery, an outlying hamlet of the parish of Stratford-on-Avon. The way to it lies either along the well-wooded road which leads out of the town in the direction of Alcester, or by a footpath across the sunny pasture lands which were formerly the "Shottery open fields." As the pilgrim passes from these through the little hamlet itself, his

first glimpse of the cottage is obtained broad, overhanging chimney, supported by through a belt of fir, and beech, elm, a massive oak beam, just where the poet and willow, and osier, fringing the little and his bride are pictured as sitting in Shottery brook which separates it from the Thomas Brooks's picture-an engraving of main portion of the hamlet. The brook which hangs on the wall beside us. She was formerly crossed at this point by points out with pride the quaint old stepping-stones, and it is not difficult in bacon cupboard on one side of the firethe misty gloaming of an April evening to place, with its oak door of open, undulant imagine the ardent young lover tripping lattice-work, and the initials "J. H.-E. H., with the eagerness of youth to meet his 1697," carved on the horizontal bar which beloved in the thick copse which runs past divides it into two panels. From the her father's door. niche in the wall by the fireplace she A turn of the road immediately beyond brings out an old tinder-box, with flint the brook brings us full in view of the and steel-a relic of her own younger house itself, a substantial timbered farm days, and with a quaint apology for her building of the Elizabethan period, with want of practice shows us how it was used. roof of thick thatch cut away or arched Then she draws our attention to the here and there to make way for the ancient table of black oak, with reversible diamond-paned casements that gleam and top-"One side for rough woörk, and th' glimmer in the sunshine, and plaster-coated other for smooth;" and as we wax more walls to which the ivy clings lovingly, and intimate, produces for our inspection the where the early jasmine is even now put- old family Bible, which sets forth in a ting forth its tiny yellow buds. The old-genealogical tree how Susan Hathaway— fashioned garden, with its flagged pathway supposed to have been a niece of Anne and trim box borders, is bright in summer- Hathaway-married William Taylor, and time with wealth of roses, and in autumn had issue John Hathaway Taylor; whose with the glory of hollyhocks and great double dahlias; but now in the early spring-tide of the year only a bunch of primroses shows here and there, and a solitary pansy, and under the laurel by the well a yellowing bunch of daffodils. Only these, and the first green pin-points on the hawthorn hedge, and the opening fronds of the currant-bushes, speak to us of the life which, under the warmth of the April sunshine, is beginning to stir in the heart of the earth as she makes ready to deck with flowers the coming birthday of her greatest son.

son, William Taylor, born in 1776, was the father of Mary Taylor, born 1812, who is none other than our hostess, Mrs. Baker, herself. It is strange how a genealogy such as this, with the last link of it an actual breathing, speaking person, carries us over the chasm of the years and enables us almost to touch the past, which at other times seems so far away. Mrs. Baker has heard the family story from the lips of her grandmother, who cannot well have been born later than 1756, and who must herself have talked with her grandmother Susan, our Anne Hathaway's niece.

Mounting the little flight of irregular stone steps, we knock at the oak door with It almost seems, as we listen to her oldits long hinges of rusty ironwork, and world lore, as if it would hardly astonish entering the flagged passage, are ushered us were the door to open and William into the chief living-room by the venerable Shakespeare himself to step into the room custodian, Mrs. Baker, a pleasant dame-the main features of which themselves of eighty years, with kindly face, and low, clear voice, and deliberate utterance.

The room into which we thus enter is full of objects of interest. Here by the corner of the fireplace, forming an oldfashioned "cosy corner," shut in by ancient linsey-woolsey curtains, is the old oak settle, which once stood outside in the garden against the wall of the house, and on which William and Anne doubtless sat many a time hand in hand in the hush of the starlight.

The old lady makes us take our seat in the corner by- or rather under-the

help to carry us back across the centuries. The old clock ticking in the corner; the ancient dresser of well-rubbed oak; the wooden trencher, with its hollowed centre, and the smaller hollow in the angle for the salt, which in olden times was a commodity too precious to be wasted ("They chopped their suet o' one side, an' ate their dinner o' th' other," explains Mrs. Baker); the diamond-paned windows above the dark oak wainscoting; and, more than all, perhaps, the hush and stillness of the sunny day, too early in the year for the crowd of visitors to mar its

peacefulness; and the slow deliberateness of voice and movement of our hostess all help to foster the illusion; and in a few moments more we should be far away in the closing years of the sixteenth century, did not a glance at the clock remind us of the flight of time, and warn us that we must hasten to bring our visit to a close.

into the main living room, and prepare to take our leave.

But before we do so, Mrs. Baker must needs show us the last of her treasuresthe visitors' books which have been kept during the many years of her tenancy. Here are the names of Longfellow, and Garfield, and Tennyson; of Dickens, and Tenniel, and Knight, and Mark Lemon-a merry company who visited the Cottage in 1852-of O. W. Holmes and his daughter, and many other names of note in the annals of literature and art and the drama.

It is hoped that the trustees of Shakespeare's Birthplace will succeed in securing all these relics, without which the old house would hardly be itself; and that they will be able to secure the services for her lifetime of the descendant of the Hathaways who now does the honours of her ancestral home with so much grace and tact. Their purchase will hardly be a profitable investment from a pecuniary point of view, for a hasty survey of the last visitors' book leaves us with the estimate of five thousand visitors as the probable

We follow our hostess up the narrow winding stair to the upper storey, and enter the low room which formed the best bedroom of the Hathaway family. Here the main object of interest is a wondrous oak bedstead, with pillars, richly carved with flowers and scrolls, supporting a panelled canopy, and with its head adorned with wealth of beautiful scrollwork running along a bar supported by caryatid-like figures carved in bold relief against the dark background of its panels. Mrs. Baker's grandmother has told her that "all th' old Hathaways remembered th' bedstead," and it is said by "those who know" to be over four hundred years old. Bedsteads, as we know from Shakespeare's own will, were important articles of far-figure for the year 1891; and reckoning these niture in olden times, and such a bedstead as this must indeed have been a precious possession. It would perhaps be rash to assert, but it would surely be rasher still to deny that this is one of the "twoe joynedbeddes in my parlor," directed in the will of Richard Hathaway to "contynewe and stande unremoved during thee naturall liffe or widowhode of Jone my wyffe," and the fellow, perhaps, of that "one of the bedsteedes in the over-chamber" which, under the will of Bartholomew Hathaway in 1621, went to "Edmonde Hathaway, my third sonne." The bed itself rests on a framework of square cords covered by a rush mattress, and in a case at the head are exhibited a sheet and bolster-case of fine old homespun linen, with exquisite point-lace hemming -the sheet itself being marked with the initials E. H.-which Mrs. Baker's mother had from her own grandmother, and which formed the "laying-out sheet, etc.," of the Hathaway family.

By the bed stand some linen-boxes of old oak, decorated with fine scrollwork, and a quaint old spinning stool, which has long gone out of use. As we make ready to go down again, Mrs. Baker calls our attention to the curious knob of polished oak which lifts the latch on the inside, and the projecting handle which serves to draw to the door; and having duly admired all her household treasures, we descend again

at the outside price of sixpence each, the income derived from the house will not amount to more than one hundred and twenty-five pounds per annum. Out of this will have to be provided the salary of a custodian, and the expenses of repairs, which in the first instance, at least, will be very heavy, together with the cost of such precautions as may be necessary to secure the newly acquired property from fire. Even if the orchard attached to the house is let for a small sum, the total income derived from the estate will be barely sufficient for its annual maintenance; leaving absolutely nothing for the interest on the purchasemoney of the house itself, or of the furniture which the trustees hope to acquire from Mrs. Baker.

It is, therefore, much to be hoped that some steps may be taken, by public subscription or otherwise, to replenish the fund at the disposal of the trustees, and to relieve them from the anxiety of feeling that they are not at present, and cannot be for some considerable time to come, in a position to secure any other object of Shakespearean interest which may come into the market.

The larger portion of the building has been for some years divided into separate tenements inhabited by other members of Mrs. Baker's family, and it would be indiscreet to offer to explore them. At the

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