Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 21995 |
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Side 14
... woman , in rapid movement like the spirit of the age , with fluttering garments and stream- ing hair , striding forward . . . . That is our new divine image : the Modern . ( Bradbury and McFarlane 41-42 , emphasis in the original ) ...
... woman , in rapid movement like the spirit of the age , with fluttering garments and stream- ing hair , striding forward . . . . That is our new divine image : the Modern . ( Bradbury and McFarlane 41-42 , emphasis in the original ) ...
Side 72
... woman who owns the street , a flâneuse . " As Janet Wolff and Rachel Bowlby have shown , the flâneuse is notoriously absent from Walter Benjamin's tableau of the nineteenth - century metropolis ; woman only appears in the street as ...
... woman who owns the street , a flâneuse . " As Janet Wolff and Rachel Bowlby have shown , the flâneuse is notoriously absent from Walter Benjamin's tableau of the nineteenth - century metropolis ; woman only appears in the street as ...
Side 85
... woman as woman of the street reinforces the categories it pretends to tran- scend . By giving spectacularity over to the working woman , and passing through the guise of the " other woman , " Vida Levering purifies spectacle and the ...
... woman as woman of the street reinforces the categories it pretends to tran- scend . By giving spectacularity over to the working woman , and passing through the guise of the " other woman , " Vida Levering purifies spectacle and the ...
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