Tolstoy Studies Journal, Bind 5–8Tolstoy Society, 1992 |
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Side 24
Surplus of Energy as a Key to Anna's Character The energy of Anna's character and her almost threatening femininity became qualities for which she is as much rebuked as admired . " It was as if an excess of vitality so filled her whole ...
Surplus of Energy as a Key to Anna's Character The energy of Anna's character and her almost threatening femininity became qualities for which she is as much rebuked as admired . " It was as if an excess of vitality so filled her whole ...
Side 67
identification with Anna's admirer . Indeed , the narration presents Anna exclusively through Vronsky's eyes - as " Karenina " -during the entire sequence.21 When observer - figures in the text fall in love with Anna , and many do so ...
identification with Anna's admirer . Indeed , the narration presents Anna exclusively through Vronsky's eyes - as " Karenina " -during the entire sequence.21 When observer - figures in the text fall in love with Anna , and many do so ...
Side 133
... Anna's biography because he intended the reader to see the Victorian novel as the matrix from which she springs . She portrays Anna as a reader who is " ruined by realism , " in the sense that she is seduced by her reading into seeking ...
... Anna's biography because he intended the reader to see the Victorian novel as the matrix from which she springs . She portrays Anna as a reader who is " ruined by realism , " in the sense that she is seduced by her reading into seeking ...
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according aesthetic Anna Karenina Anna's appears artist attempt becomes beginning believe calls Chapter characters Christian communication complete concern considered continues Cossacks course critics death described desire Dewey discussion Dolly dream effect example experience expression fact feelings final force give happiness human idea ideal important individual interest interpretation Italy Kitty language later letter Levin literary live look Lyovin marriage means moral Moscow narrative nature never notes novel Oblonsky pardon passion Peace person philosophy physical Pierre pleasure position possible practice present Press problem prosaic provides question reader reading reason reference relations response Russian scene seems sense sexual social society spiritual Stiva story suggests theory things thought Tolstoy Tolstoy's true turn understanding University Vronsky wants whole woman women writes York