The Yale Literary Magazine, Bind 135,Oplag 1–2Herrick & Noyes., 1966 |
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Side 30
... side : Space becomes the structure ; a build- ing with two faces : a private side and public side ( note plan segment ) - Panel C Educational Television Station , Pittsburg , 1966. Project studies : Organization of large spaces in ...
... side : Space becomes the structure ; a build- ing with two faces : a private side and public side ( note plan segment ) - Panel C Educational Television Station , Pittsburg , 1966. Project studies : Organization of large spaces in ...
Side 48
... side was Company Row , houses owned by the cotton mill whose occupants had never been clear whether their homes ( not really theirs ) fronted on street or river ; so both sides were backsides , dooryards were soreholes , play - yards ...
... side was Company Row , houses owned by the cotton mill whose occupants had never been clear whether their homes ( not really theirs ) fronted on street or river ; so both sides were backsides , dooryards were soreholes , play - yards ...
Side
... side , the rest of Thad's solo is well paced with a nice flow of ideas , and Richard Davis has a fine bass spot . The band has a wonderful arrangement in Tommy McIntosh's waltz , Balanced Scales Justice . Baritone and rhythm and then ...
... side , the rest of Thad's solo is well paced with a nice flow of ideas , and Richard Davis has a fine bass spot . The band has a wonderful arrangement in Tommy McIntosh's waltz , Balanced Scales Justice . Baritone and rhythm and then ...
Indhold
The Money Juggler Louis Auchincloss | 3 |
Prologue to a Novel Brendan Gill | 15 |
Orphans of the Storm Italianstyle John Knowles | 19 |
Copyright | |
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