The Yale Literary Magazine, Bind 135,Oplag 1–2Herrick & Noyes., 1966 |
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Side 56
... played with such skill and lyricism that his set was a joy to hear . The fireworks really started with the arrival of Nina Simone . She began with a soulful lament , telling of hard times and building her piano accompaniment to a ...
... played with such skill and lyricism that his set was a joy to hear . The fireworks really started with the arrival of Nina Simone . She began with a soulful lament , telling of hard times and building her piano accompaniment to a ...
Side 57
... player . The best music , however , came from two of jazz's nonpareil guitarists , Charlie Byrd and Kenny Burrell . Byrd was again the only real soloist of his trio ( this time a pick - up group ) , but he played well , especially on ...
... player . The best music , however , came from two of jazz's nonpareil guitarists , Charlie Byrd and Kenny Burrell . Byrd was again the only real soloist of his trio ( this time a pick - up group ) , but he played well , especially on ...
Side
... play's life , or rather the mock - life . That is , the characters interact on the level of game playing . They ... play under Gregory's direction became , like grey itself , neutral . It was a recorder and a transmitter of sensory ...
... play's life , or rather the mock - life . That is , the characters interact on the level of game playing . They ... play under Gregory's direction became , like grey itself , neutral . It was a recorder and a transmitter of sensory ...
Indhold
The Money Juggler Louis Auchincloss | 3 |
Prologue to a Novel Brendan Gill | 15 |
Orphans of the Storm Italianstyle John Knowles | 19 |
Copyright | |
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