Screening Shakespeare from Richard II to Henry VUniversity of Delaware Press, 1991 - 211 sider This book applies the videocassette to the study of Shakespeare on television and film. The result is that the films become texts, and Shakespeare in performance can be examined with the scholarly care that has been reserved for printed books. |
Indhold
11 | |
14 | |
18 | |
The BBC Shakespeare Series | 22 |
The BBC Richard II | 29 |
The Critics Giles and History | 39 |
History as Subtext | 45 |
Bolingbroke and York | 49 |
Other Films in the BBC Henriad and Henry V | 91 |
Hal into Henry as Central Interpretation | 92 |
Laurence Oliviers Henry V | 100 |
Expectational Texts and Oliviers Script | 110 |
Oliviers Central Interpretation | 118 |
Orson Welles and Chimes at Midnight | 130 |
The Central Interpretation | 134 |
Conclusion Reevaluating Screened Shakespeare | 156 |
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actors Anthony Quayle audience auteur BBC productions BBC Richard BBC Shakespeare BBC's Bolingbroke British Broadcasting Corporation Bruce camera Cedric Messina central interpretation character Chimes at Midnight Chorus Cinema Citizen Kane David Giles David Gwillim death Derek Jacobi director Duke example expectational text Falstaff fat knight father Fenwick Film Newsletter Film Scripts film's Filmguide to Henry filmtext Finch's Garrett Gaunt Geduld Gelfman Giles's Globe Gwillim's Hal's Hamlet Hardison Henriad Henry Fenwick Henry IV Henry's Higham Hotspur house style Ibid Jack Jorgens Jacobi's Richard John Wilders Katherine Laurence Olivier lines London look Messina Michael movie Mowbray Olivier Directs Shakespeare Olivier's Henry Orson Oxford performance Poins problem Quayle's release script result Richard II role Samuel Crowl says screen second tetralogy seems Shake Shakespeare on Film Shakespeare Plays shooting script shot Silviria soliloquy speech stage suggest Television Shakespeare Theatre theatrical tion University Press Usurper King videocassette visual William words York
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Side 16 - Nym summarizes the complexity of the problem as Falstaff lies dying: 'The King is a good King. But it must be as it may.'