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Clammy with anguish, wandered low and Forward and backward. But at last she loose O'er their bare breasts, that seemed too filled And her dark head upon her bosom dropped

with trouble

To feel the damp crawl of the midnight dews

That trickled down them. One was bent half double,

stopped,

Motionless,

Then one rose up with a cry

To the great moon, and stretched a wrathful

arm

Of wild expostulation to the sky,

A dismayed heap that hung o'er the last Murmuring, "These earth-lamps fail us! and spark

Of a lamp slowly dying. As she blew

The dull light redder, and the dry wick flew

In crumbling sparkles all about the dark,

I saw a light of horror in her eyes,

what harm?

Does not the moon shine? Let us rise and haste

To meet the Bridegroom yonder over the

waste!

For now I seem to catch once more the tone

A wild light on her flushed cheek, a wild Of viols on the night. 'Twere better done, white

On her dry lips-an agony of surprise

Fearfully fair.

At worst, to perish near the golden gate,
And fall in sight of glory one by one,
Than here all night upon the wild to wait

The lamp dropped. From my sight Uncertain ills. Away! the hour is late."

She fell into the dark.

Beside her sat

Again the moon dipped.

I could see no more:

One without motion, and her stern face Not the least gleam of light did heaven af

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Some motion of the midnight or her breath
Should fan out the last flicker. Rosy-clear,
The light oozed through her fingers o'er her
face.

There was a ruined beauty hovering there
Over deep pain, and dashed with lurid grace
A waning bloom.

The light grew dim and blear,
And she too slowly darkened in her place.
Another, with her white hands hotly locked

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Then a Voice: "I know you not. De-
part!”

I caught, within, a glimpse of glory, and
The door closed.

Still in darkness dreamed the land.

I could not see those women. Not a breath! Darkness and awe-a darkness more than death:

About her damp knees, muttering madness, The darkness took them.

rocked

EDWARD ROBERT BULWER-LYTTON.

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'Lost! lost! lost!"

cry floated over the waves

Far over the pitiless waves;

It smote on the dark and it rended the clouds;

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On a little mound, Napoleon
Stood on our stormy-day,

With neck outthrust-you fancy how-
Legs wide, arms locked behind,
As if to balance the prone brow,
Oppressive with its mind.

The billows below them were weaving white Just as perhaps he mused, "My plans.

shrouds

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That soar, to earth may fall,
Let once my army-leader Lannes
Waver at yonder wall,"

Out 'twixt the battery-smokes there flew
A rider, bound on bound
Full-galloping, nor bridle drew

Until he reached the mound.

Then off there flung in smiling joy,
And held himself erect

By just his horse's mane, a boy;

You hardly could suspect

(So tight he kept his lips compressed, Scarce any blood came through),

You looked twice ere you saw his breast Was all but shot in two.

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The chief's eye flashed, but presently
Softened itself, as sheathes
A film the mother-eagle's eye

When her bruised eaglet breathes:
"You're wounded!" "Nay," his soldier's
pride

Touched to the quick, he said: "I'm killed, sire!" And his chief beside, Smiling, the boy fell dead.

ROBERT BROWNING.

THE DEATH OF MURAT.

"MY

But with the regal wealth and state he lost. its heartless chill.

The iciness of alien power what gushing love
may thaw

The agony of such an hour as this-thy LAST,
Murat?

"Comrade, though foe, a soldier asks from thee a soldier's aid:

They're not a warrior's only tasks that need his blood and blade;

That upon which I latest gaze, that which I
fondest clasp

Y hour is come. Forget me not. When death upon my eyeballs sinks and
My blessing is with you;
stiffens on my grasp

With you my last, my fondest thought; with This, and these locks around it twined, say,

you my heart's adieu.

wilt thou see them sent

Farewell, farewell, my Caroline, my chil- Need I say where?

dren's doting mother!

I made thee wife, Fate made thee queen: one hour, and thou art neither.

Enough? 'tis kind! To

death, then! I'm content.

Oh to have found death in the field, not as a chained outlaw!

Farewell, my sweet Letitia: my love is with No more! To destiny I yield, with mightier

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Then, of the locks which, dark and large, Strike to the heart!" His last behest was

o'er his broad shoulders hung,

That streamed war-pennons in the charge, yet like caressings clung

uttered not in vain.

He turned full to the levelled tubes that held

the wished-for boon;

volleyed the platoon.

In peace around his forehead high, which He gazed upon the love-clasped pledge: then more than diadem Beseemed the curls that lovingly replaced And when their hold the hands gave up, the the cold hard gem, pitying gazers saw

He cut him one for wife, for child: 'twas all In the dear image of a wife thy heart's best he had to will ;

trait, Murat.

THOMAS ATKINSON.

POETRY.

F all those arts in which the wise excel, Nature's chief masterpiece is writing well;

No writing lifts exalted man so high
As sacred and soul-moving poesy;
No kind of work requires so nice a touch,
And if well finished nothing shines so much;
But Heaven forbid we should be so profane
To
grace the vulgar with that noble name.
'Tis not a flash of fancy which, sometimes
Dazzling our minds, sets off the slightest
rhymes,

Bright as a blaze, but in a moment done:
True wit is everlasting, like the sun,
Which, though sometimes behind a cloud
retired,

Breaks out again, and is by all admired.

Number and rhyme and that harmonious sound Which not the nicest ear with harshness

wound

Are necessary, yet but vulgar arts,
And all in vain these superficial parts
Contribute to the structure of the whole
Without a genius, too, for that's the soul-
A spirit which inspires the work throughout,

As that of Nature moves the world about,
A flame that glows amidst conceptions fit,
Even something of divine and more than wit,
Itself unseen, yet all things by it shown,
Describing all men, but described by none.

Sometimes with powerful charms, to hurry

me away

From pleasures of the night and business of the day?

Ev'n now too far transported, I am fain
To check thy course and use the needful
rein;

As all is dulness when the fancy's bad,
So without judgment fancy is but mad,
And judgment has a boundless influence,
Not only in the choice of words or sense,
But on the world, on manners and on men.
Fancy is but the feather of the pen;
Reason is that substantial useful
part
Which gains the head, while t'other wins.
the heart.

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As shines the moon in clouded skies, She in her poor attire was seen:

Where dost thou dwell? what caverns of the One praised her ankles, one her eyes,

brain

Can such a vast and mighty thing contain? When I at vacant hours in vain thy absence

mourn,

Oh where dost thou retire? and why dost

thou return,

One her dark hair and lovesome mien. So sweet a face, such angel grace,

In all that land had never been; Cophetua sware a royal oath :

This beggar-maid shall be my queen!"

ALFRED TENNYSON.

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THE SUPERANNUATED MAN.

F peradventure, reader, it has been thy lot to waste the golden years of thy life, thy shining youth, in the irksome confinement of an office; to have thy prison-days prolonged through middle age down to decrepitude and silver hairs without hope of release or respite; to have lived to forget that there are such things as holidays, or to remember them but as the prerogatives of childhood, then, and then only, will you be able to appreciate my deliverance.

It is now six and thirty years since I took my seat at the desk in Mincing Lane. Melancholy was the transition at fourteen from the abundant playtime and the frequently intervening vacations of school-days to the eight, nine, and sometimes ten, hours a day attendance at the counting-house. But time partially reconciles us to anything. I gradually became content-doggedly contented, as wild animals in cages.

It is true I had my Sundays to myself; but Sundays, admirable as the institution of them is for purposes of worship, are for that very reason the very worst adapted for days of unbending and recreation. In particular there is a gloom for me attendant upon a city Sunday, a weight in the air. I miss the cheerful cries of London, the music and the ballad-singers, the buzz and stirring murmur of the streets. Those eternal bells depress me. The closed shops repel me.

Prints, pictures, all the glittering and endless succession of knacks and gew-gaws and ostentatiously displayed wares of tradesmen which make a weekday saunter through the less busy parts of the metropolis so delightful, are shut out-no bookstalls deliciously to idle over; no busy faces to recreate the idle man who contemplates them ever passing by; the very face of business a charm by contrast to his temporary relaxation from it; nothing to be seen but unhappy countenances--or half happy at best-of emancipated 'prentices and little tradesfolk, with here and there a servant-maid that has got leave to go out, who, slaving all the week, with the habit has lost almost the capacity of enjoying a free hour, and livelily expressing the hollowness of a day's pleasuring. The very strollers in the fields on that day look anything but comfortable.

But, besides Sundays, I had a day at Easter and a day at Christmas, with a full week in the summer to go and air myself in my native fields of Hertfordshire. This last was a great indulgence, and the prospect of its recurrence, I believe, alone kept me up through the year and made my durance tolerable. But when the week came around, did the glittering phantom of the distance keep touch with me? or rather was it not a series of seven uneasy days spent in restless pursuit of pleasure and a wearisome anxiety to find out how to make the most of them? Where was the quiet? where the promised rest? Before I had a taste of it, it was vanished. I was at the desk again, counting

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