Büchner's Valerio and the Theatrical Fool TraditionAkademischer Verlag H.-D. Heinz, 1977 - 221 sider |
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Side 14
Nancy Lukens. prominent court fool figures in this study despite its primary focus on Valerio . Each of the plays ... figure in whom traditional concepts of the unjust ruler , the buffoon , and the prophetic wise fool are combined in an ...
Nancy Lukens. prominent court fool figures in this study despite its primary focus on Valerio . Each of the plays ... figure in whom traditional concepts of the unjust ruler , the buffoon , and the prophetic wise fool are combined in an ...
Side 185
... fool archetype , insofar as one can speak unam- biguously of such a figure . It became impossible to talk about Valerio as a court fool figure in the traditional sense , as an appendage to a more or less autonomous dramatic ...
... fool archetype , insofar as one can speak unam- biguously of such a figure . It became impossible to talk about Valerio as a court fool figure in the traditional sense , as an appendage to a more or less autonomous dramatic ...
Side 187
... fool figure breaks out of time , for in this comedy the only framework of time is that created by the intervention of the fool , at the service of chance , in the repeated rhythms of this dance . The comic reso- lution , to be sure ...
... fool figure breaks out of time , for in this comedy the only framework of time is that created by the intervention of the fool , at the service of chance , in the repeated rhythms of this dance . The comic reso- lution , to be sure ...
Indhold
ACKNOWLEDGEMENTS | 1 |
THE FOOL AT THE BOUNDARY LINE | 30 |
TRANSCENDING | 70 |
Copyright | |
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action Amar-Azu appears aspect association assume audience become beginning boundaries calls characters clown comedy comic conception conscious Contemporary context contrast course court fool create criticism direct discussion dramatic edition effect example existence express fact feels folly fool figure fool's fooldom force freedom function Georg Büchner hand human identity imagination important ironic irony Jaques king king's kingdom kingship language Lear Lear's Leonce und Lena Leonce's mask means merely moral nature nicht Nicolo observations Peter physical play position possibility present prince question reality reference reflect regard relationship remains represented respect role roleplay romantic scene seems sense setting Shakespeare situation social social order society space speaks speech spirit stage stands structure symbols takes theater theatrical thing tradition truth turn University Valerio Verlag wise wordplay