Discourse, Bind 14Indiana University Press, 1992 |
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Side 25
... structure of feeling " that offers the viewers both pleasure and a form of recognition , a way to confirm their own position within our culture ( 45 ) . It is this same structure of feeling - a rhythm of intimacy and interruption that ...
... structure of feeling " that offers the viewers both pleasure and a form of recognition , a way to confirm their own position within our culture ( 45 ) . It is this same structure of feeling - a rhythm of intimacy and interruption that ...
Side 32
... structure and conceptual trope within theories of culture . For example , to return to one of my earlier points , Modleski , in her analysis of how television soap opera creates a multiple , dispersed , and distracted form of ...
... structure and conceptual trope within theories of culture . For example , to return to one of my earlier points , Modleski , in her analysis of how television soap opera creates a multiple , dispersed , and distracted form of ...
Side 52
... structure of everyday existence , while what the SI hoped for was a continuous carnivalization of everyday life ... structures of social- ity . Unlike the dérive , it is not a hermeneutic but an autotelic desire to fill the blank spaces ...
... structure of everyday existence , while what the SI hoped for was a continuous carnivalization of everyday life ... structures of social- ity . Unlike the dérive , it is not a hermeneutic but an autotelic desire to fill the blank spaces ...
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action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Fluxus Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jamie Owen Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political position postmodern practices production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York