Discourse, Bind 14Indiana University Press, 1992 |
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Side 100
... sexuality and the sexual itself . Mulvey names this turn of narrative focus " melodramatic . " I would agree with her discussion but use it to note that the difference in the Sensationalist use of the feminine subject is its continued ...
... sexuality and the sexual itself . Mulvey names this turn of narrative focus " melodramatic . " I would agree with her discussion but use it to note that the difference in the Sensationalist use of the feminine subject is its continued ...
Side 109
... sexual life , however , are of particular importance , since we have learnt from psycho - analysis that the instinct for knowledge in chil- dren is attracted unexpectedly early and intensively to sexual problems and is in fact possibly ...
... sexual life , however , are of particular importance , since we have learnt from psycho - analysis that the instinct for knowledge in chil- dren is attracted unexpectedly early and intensively to sexual problems and is in fact possibly ...
Side 155
... sexually specific or gendered subjectivities , Irigaray is more interested in their production and in sexual difference . Although Kristeva , especially in recent texts like Strangers to Ourselves , begins to suggest an ethic of ...
... sexually specific or gendered subjectivities , Irigaray is more interested in their production and in sexual difference . Although Kristeva , especially in recent texts like Strangers to Ourselves , begins to suggest an ethic of ...
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action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Fluxus Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jamie Owen Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political position postmodern practices production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York