Discourse, Bind 14Indiana University Press, 1992 |
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Side 144
... artist as for the spectator ) , performance art reached its peak in the 1970s . The artists , who came from very different perspectives ( plastic arts , music , architecture ) , at first enthusiastically embraced this new art form that ...
... artist as for the spectator ) , performance art reached its peak in the 1970s . The artists , who came from very different perspectives ( plastic arts , music , architecture ) , at first enthusiastically embraced this new art form that ...
Side 149
... performance art itself — which is another way of saying that an artist today who chooses performance art as a form of expression is not necessarily exploring his or her relation to art , as he or she was doing formerly . To choose ...
... performance art itself — which is another way of saying that an artist today who chooses performance art as a form of expression is not necessarily exploring his or her relation to art , as he or she was doing formerly . To choose ...
Side 159
... performance art . The approach of Cantsin was rather more in keeping with an existentialist form of performance art , while that of Mercille was more feminist and committed . 3 It is interesting to note that the notion of ...
... performance art . The approach of Cantsin was rather more in keeping with an existentialist form of performance art , while that of Mercille was more feminist and committed . 3 It is interesting to note that the notion of ...
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action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Fluxus Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jamie Owen Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political position postmodern practices production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York