Billeder på siden
PDF
ePub

The bell strikes one. We take no note of time
But from its loss: to give it then a tongue
Is wise in mau. As if an angel spoke,
I feel the solemn sound. If heard aright,

It is the knell of my departed hours.

Where are they? With the years beyond the flood.
It is the signal that demands despatch:

How much is to be done! My hopes and fears
Start up alarm'd, and o'er life's narrow verge
Look down-on what? A fathomless abyss;
A dread eternity! how surely mine!
And can eternity belong to me,

Poor pensioner on the bounties of an hour?

How poor, how rich, how abject, how august, How complicate, how wonderful is man! How passing wonder HE who made him such! Who center'd in our make such strange extremes ! From diff'rent natures, marvellously mix'd, Connection exquisite of distant worlds! Distinguish'd link in being's endless chain! Midway from nothing to the Deity! A beam ethereal, sullied and absorb'd! Though sullied and dishonour'd, still divine! Dim miniature of greatness absolute! An heir of glory! a frail child of dust! Helpless immortal! insect infinite! A worm! a god!-I tremble at myself, And in myself am lost. At home, a stranger, Thought wanders up and down, surprised, aghast, And wond'ring at her own. How reason reels! O what a miracle to man is man, Triumphantly distress'd! what joy! what dread! Alternately transported and alarm'd! What can preserve my life? or what destroy? An angel's arm can't snatch me from the grave; Legions of angels can't confine me there.

"Tis past conjecture; all things rise in proof.
While o'er my limbs sleep's soft dominion spreads,
What though my soul fantastic measures trod
O'er fairy fields, or mourn'd along the gloom
Of pathless woods, or, down the craggy steep
Hurl'd headlong, swam with pain the mantled pool,
Or scaled the cliff, or danced on hollow winds
With antic shapes, wild natives of the brain?
Her ceaseless flight, tho' devious, speaks her nature
Of subtler essence, than the trodden clod,
Active, aerial, towering, unconfined,
Unfetter'd with her gross companion's fall.
E'en silent night proclaims my soul immortal:
E'en silent night proclaims eternal day.
For human weal Heav'n husbands all events:
Dull sleep instructs, nor sport vain dreams in vain.
Why then their loss deplore that are not lost?
Why wanders wretched thought their tombs around
In infidel distress? Are angels there?
Slumbers, raked up in dust, ethereal fire?

They live! they greatly live a life on earth
Unkindled, unconceived; and from an eye
Of tenderness let heav'nly pity fall

On me, more justly number'd with the dead.

This is the desert, this the solitude:
How populous, how vital is the grave!
This is creation's melancholy vault,
The vale funereal, the sad cypress gloom,
The land of apparitions, empty shades!
All, all on earth is shadow, all beyond
Is substance; the reverse is folly's creed:
How solid all, where change shall be no more!
This is the bud of being, the dim dawn,
The twilight of our day, the vestibule.
Life's theatre as yet is shut, and Death,
Strong Death, alone can heave the massy bar,
This
gross impediment of clay remove,
And make us embryos of existence free.
From real life, but little more remote
Is he, not yet a candidate for light,
The future embryo, slumb'ring in his sire.
Embryos we must be till we burst the shell,
Yon ambient azure shell, and spring to life,
The life of gods (O transport !) and of man.

Yet man, full man, here buries all his thoughts;
Inters celestial hopes without one sigh:
Pris'ner of earth, and pent beneath the moon,
Here pinions all his wishes; wing'd by Heav'n
To fly at infinite, and reach it there,
Where seraphs gather immortality,
On life's fair tree, fast by the throne of God.
What golden joys ambrosial clust'ring glow
In his full beam, and ripen for the just,
Where momentary ages are no more!

Where Time, and Pain, and Chance, and Death expire!
And is it in the flight of threescore years
To push eternity from human thought,
And smother souls immortal in the dust?
A soul immortal, spending all her fires,
Wasting her strength in strenuous idleness,
Thrown into tumult, raptured or alarm'd
At aught this scene can threaten or indulge,
Resembles ocean into tempest wrought,
To waft a feather, or to drown a fly.

The weak have remedies; the wise have joys.
Superior wisdom is superior bliss.
And what sure mark distinguishes the wise?
Consistent wisdom ever wills the same;
Thy fickle wish is ever on the wing.
Sick of herself, is folly's character;
As wisdom's is, a modest self-applause.
A change of evils is thy good supreme;
Nor, but in motion, canst thou find thy rest.
Man's greatest strength is shown in standing still.
The first sure symptom of a mind in health
Is rest of heart, and pleasure felt at home.
False pleasure from abroad her joys imports:
Rich from within, and self-sustain'd, the true.
The true is fix'd, and solid as a rock;
Slipp'ry the false, and tossing as the wave.
This, a wild wanderer on earth, like Cain:
That, like the fabled self-enamour'd boy,'

1 Narcissus.

Home contemplation her supreme delight;
She dreads an interruption from without,
Smit with her own condition; and the more
Intense she gazes, still it charms the more.

No man is happy, till he thinks on earth
There breathes not a more happy than himself:
Then envy dies, and love o'erflows on all;
And love o'erflowing makes an angel here.
Such angels all, entitled to repose

On Him who governs fate: though tempest frowns,
Though nature shakes, how soft to lean on Heav'n!
To lean on Him on whom archangels lean!
With inward eyes, and silent as the grave,
They stand collecting ev'ry beam of thought,
Till their hearts kindle with divine delight;
For all their thoughts, like angels, seen of old
In Israel's dream, 1 come from, and go to, heav'n;
Hence are they studious of sequester'd scenes;
While noise and dissipation comfort thee.

Were all men happy, revellings would cease,
That opiate for inquietude within.
Lorenzo! never man was truly blest,

But it composed, and gave him such a cast,
As folly might mistake for want of joy:
A cast, unlike the triumph of the proud;
A modest aspect, and a smile at heart.
Oh for a joy from thy Philander's spring.
A spring perennial, rising in the breast,
And permanent, as pure! No turbid stream
Of rapt'rous exultation, swelling high;
Which, like land-floods, impetuous pour awhile,
Then sink at once, and leave us in the mire.
What does the man who transient joy prefers?
What, but prefer the bubbles to the stream?
Vain are all sudden sallies of delight;
Convulsions of a weak distemper'd joy :
Joy's a fix'd state; a tenure, not a start.
Bliss there is none, but unprecarious bliss ;
That is the gem: sell all, and purchase that.
Why go a begging to contingencies

Not gain'd with ease, nor safely lov'd, if gain'd?
At good fortuitous, draw back, and pause;
Suspect it; what thou canst insure, enjoy;
And nought but what thou giv'st thyself, is sure.
Reason perpetuates joy that reason gives,
And makes it as immortal as herself:
To mortals, not immortal, but their worth.
Worth, conscious worth! should absolutely reign,
And other joys ask leave for their approach;
Nor, unexamined, ever leave obtain.

Seest thou, Lorenzo, what depends on man? The fate of nature; as for man, her birth. Earth's actors change earth's transitory scenes, And make creation groan with human guilt. How must it groan, in a new deluge whelm'd; But not of waters! At the destined hour,

1 Gen. xxxviii. 12.

By the loud trumpet summon'd to the charge,
See, all the formidable sons of fire,
Eruptions, earthquakes, comets, lightnings, play
Their various engines; all at once disgorge
Their blazing magazines; and take by storm
This poor terrestrial citadel of man.

Amazing period! when each mountain-height
Out-burns Vesuvius; rocks eternal pour
Their melted mass, as rivers once they pour'd;
Stars rush; and final ruin fiercely drives
Her ploughshare o'er creation!-While aloft,
More than astonishment, if more can be!
Far other firmament than e'er was seen,

Than e'er was thought by man! Far other stars!
Stars animate, that govern these of fire;
Far other sun! A Sun, O how unlike
The babe of Bethle'm! How unlike the man
That groan'd on Calvary! Yet he it is!

That man of sorrows! O how changed! What pomp!

In grandeur terrible, all heav'n descends!
And gods, ambitious, triumph in his train.
A swift archangel, with his golden wing,

As blots and clouds, that darken and disgrace
The scene divine, sweeps stars and suns aside.
And now, all dross remov'd, heav'n's own pure day,
Full on the confines of our ether, flames:
While (dreadful contrast!) far, how far beneath!
Hell bursting, belches forth her blazing seas,
And storms sulphureous; her voracious jaws
Expanding wide, and roaring for her prey.
Lorenzo, welcome to this scene; the last

In nature's course; the first in wisdom's thought.
This strikes, if aught can strike thee: this awakes
The most supine; this snatches man from death.
Rouse, rouse, Lorenzo, then, and follow me,
Where truth, the most momentous, man can hear,
Loud calls my soul, and ardour wings her flight.
I find my inspiration in my theme:
The grandeur of my subject is my muse.

THE VALLEY OF THE LOIRE.

BY HENRY W. LONGFELLOW.

In the beautiful month of October I made a foot excursion along the banks of the Loire, from Orléans to Tours. This luxuriant region is justly called the garden of France. From Orléans to Blois the whole valley of the Loire is one continued vineyard. The bright green foliage of the vine spreads, like the undulations of the sea, over all the landscape, with here and there a silver flash of the river, a sequestered hamlet, or the towers of an old château, to enliven and variegate the scene.

The vintage had already commenced. The peasantry were busy in the fields, the song

that cheered their labour was on the breeze,
and the heavy waggon tottered by, laden with
the clusters of the vine. Everything around
me wore that happy look which makes the
heart glad. In the morning I arose with the
lark; and at night I slept where sunset over-
took me.
The healthy exercise of foot-travel-
ling, the pure, bracing air of autumn, and
the cheerful aspect of the whole landscape
about me, gave fresh elasticity to a mind not
overburdened with care, and made me forget
not only the fatigue of walking, but also the
consciousness of being alone.

My first day's journey brought me at evening to a village, whose name I have forgotten, situated about eight leagues from Orléans. It is a small, obscure hamlet, not mentioned in the guide-book, and stands upon the precipitous banks of a deep ravine, through which a noisy brook leaps down to turn the ponderous wheel of a thatched-roofed mill. The village inn stands upon the highway; but the village itself is not visible to the traveller as he passes. It is completely hidden in the lap of a wooded valley, and so embowered in trees that not a roof nor a chimney peeps out to betray its hiding-place. It is like the nest of a groundswallow, which the passing footstep almost treads upon, and yet it is not seen. I passed by without suspecting that a village was near; and the little inn had a look so uninviting that I did not even enter it.

[ocr errors]

a band of more youthful vintagers at a short distance from her. She was so intently engaged in her work, that she did not perceive my approach until I bade her good evening. On hearing my voice she looked up from her labour, and returned the salutation; and on my asking her if there were a tavern or a farmhouse in the neighbourhood where I could pass the night, she showed me the pathway through the vineyard that led to the village, and then added, with a look of curiosity,

"You must be a stranger, sir, in these parts?"

"Yes; my home is very far from here." "How far?"

[merged small][merged small][ocr errors][merged small]

"And a mother?"

"Thank Heaven, I have."

"And did you leave her?"

Here the old woman gave me a piercing look of reproof; shook her head mournfully, and, with a deep sigh, as if some painful recollection had been awakened in her bosom, turned again to her solitary task. I felt rebuked; for there is something almost prophetic in the admonitions of the old. The eye of age looks meekly into my heart! the voice of age echoes mourn fully through it! the hoary head and palsied hand of age plead irresistibly for its sympa thies! I venerate old age; and I love not the man who can look without emotion upon the sunset of life, when the dusk of evening begins to gather over the watery eye, and the shadows of twilight grow broader and deeper upon the

After proceeding a mile or two farther, I perceived, upon my left, a village spire rising over the vineyards. Towards this I directed my footsteps; but it seemed to recede as I advanced, and at last quite disappeared. It was evidently many miles distant; and as the path I followed descended from the highway, it had gradually sunk beneath a swell of the vine-clad landscape. I now found myself in the midst of an extensive vineyard. It was just sunset; and the last golden rays lingered on the rich and mellow scenery around me. The peasantry were still busy at their task; and the occasional bark of a dog, and the dis-understanding! tant sound of an evening bell, gave fresh romance to the scene. The reality of many a day-dream of childhood, of many a poetic reverie of youth, was before me. I stood at sunset amid the luxuriant vineyards of France!

The first person I met was a poor old woman, a little bowed down with age, gathering grapes into a large basket. She was dressed like the poorest class of peasantry, and pursued her solitary task alone, heedless of the cheerful gossip and the merry laugh which came from

I pursued the pathway which led towards the village, and the next person I encountered was an old man, stretched lazily beneath the vines upon a little strip of turf, at a point where four paths met, forming a crossway in the vineyard. He was clad in a coarse garb of gray, with a pair of long gaiters or spatterdashers. Beside him lay a blue cloth cap, a staff, and an old weather-beaten knapsack. I saw at once that he was a foot traveller like myself, and therefore, without more ado, entered into conversation with him. From his

language, and the peculiar manner in which he now and then wiped his upper lip with the back of his hand, as if in search of the moustache which was no longer there, I judged that he had been a soldier. In this opinion I was not mistaken. He had served under Napoleon, and had followed the imperial eagle across the Alps, and the Pyrenees, and the burning sands of Egypt. Like every vieille moustache, he spake with enthusiasm of the Little Corporal, and cursed the English, the Germans, the Spanish, and every other race on earth, except the Great Nation,-his own.

"I like," said he, "after a long day's march, to lie down in this way upon the grass, and enjoy the cool of the evening. It reminds me of the bivouacs of other days, and of old friends who are now up there."

Here he pointed with his finger to the sky. "They have reached the last étape before me, in the long march. But I shall go soon. We shall all meet again at the last roll-call. Sacré nom de- -! There's a tear!"

He wiped it away with his sleeve. Here our colloquy was interrupted by the approach of a group of vintagers, who were returning homeward from their labour. To this party I joined myself, and invited the old soldier to do the same, but he shook his head.

"I thank you; my pathway lies in a different direction.'

[ocr errors]

took the cross-road through the vineyard, and in a moment the little village had sunk again, as if by enchantment, into the bosom of the earth.

I breakfasted at the town of Mer; and, leaving the high-road to Blois on the right, passed down to the banks of the Loire, through a long, broad avenue of poplars and sycamores. I crossed the river in a boat, and in the after part of the day, I found myself before the high and massive walls of the château of Chambord. This château is one of the finest specimens of the ancient Gothic castle to be found in Europe. The little river Cosson fills its deep and ample moat, and above it the huge towers and heavy battlements rise in stern and solemn grandeur, moss-grown with age, and blackened by the storms of three centuries. Within all is mournful and deserted. The grass has overgrown the pavement of the court-yard, and the rude sculpture upon the walls is broken and defaced. From the court-yard I entered the central tower, and, ascending the principal staircase, went out upon the battlements. I seemed to have stepped back into the precincts of the feudal ages; and as I passed along through echoing corridors, and vast, deserted halls, stripped of their furniture, and mouldering silently away, the distant past came back upon me; and the times when the clang of arms, and the tramp of mail-clad men, and

But there is no other village near, and the the sounds of music and revelry and wassail, sun has already set.' "No matter.

echoed along those high-vaulted and solitary

I am used to sleeping on the chambers. ground. Good night."

I left the old man to his meditations, and walked on in company with the vintagers. Following a well-trodden pathway through the vineyards, we soon descended the valley's slope, and I suddenly found myself in the bosom of one of those little hamlets from which the labourer rises to his toil as the skylark to his song. My companions wished me a good night, as each entered his own thatch-roofed cottage, and a little girl led me out to the very inn which an hour or two before I had disdained to enter.

When I awoke in the morning, a brilliant autumnal sun was shining in at my window. The merry song of birds mingled sweetly with the sound of rustling leaves and the gurgle of the brook. The vintagers were going forth to their toil; the winepress was busy in the shade, and the clatter of the mill kept time to the miller's song. I loitered about the village with a feeling of calm delight. I was unwilling to leave the seclusion of this sequestered hamlet; but at length, with reluctant step, I

The third day's journey brought me to the ancient city of Blois, the chief town of the department of Loire-et-Cher. This city is celebrated for the purity with which even the lower classes of its inhabitants speak their native tongue. It rises precipitously from the northern bank of the Loire; and many of its streets are so steep as to be almost impassable for carriages. On the brow of the hill, overlooking the roofs of the city, and commanding a fine view of the Loire and its noble bridge, and the surrounding country, sprinkled with cottages and châteaux, runs an ample terrace, planted with trees and laid out as a public walk. The view from this terrace is one of the most beautiful in France. But what most strikes the eye of the traveller at Blois is an old, though still unfinished castle. pets of hewn stone stand upon either side of the street, but they have walled up the wide gateway, from which the colossal drawbridge was to have sprung high in air, connecting together the main towers of the building, and the two hills upon whose slope its foundations

Its huge para

stand. The aspect of this vast pile is gloomy and desolate. It seems as if the strong hand of the builder had been arrested in the midst of his task by the stronger hand of death; and the unfinished fabric stands a lasting monument both of the power and weakness of man,-of his vast desires, his sanguine hopes, his ambitious purposes, and of the unlooked-for conclusion, where all these desires, and hopes, and purposes are so often arrested. There is also at Blois another ancient château, to which some historic interest is attached, as being the scene of the massacre of the Duke of Guise.

On the following day I left Blois for Amboise; and, after walking several leagues along the dusty highway, crossed the river in a boat to the little village of Moines, which lies amid luxuriant vineyards upon the southern bank of the Loire. From Moines to Amboise the road is truly delightful. The rich lowland scenery, by the margin of the river, is verdant even in October; and occasionally the landscape is diversified with the picturesque cottages of the vintagers, cut in the rock along the roadside, and overhung by the thick foliage of the vines above them.

At Amboise I took a cross-road, which led me to the romantic borders of the Cher and the château of Chernanceau. This beautiful château, as well as that of Chambord, was built by the gay and munificent Francis the First. One is a specimen of strong and massive architecture, a dwelling for a warrior; but the other is of a lighter and more graceful construction, and was destined for those soft languishments of passion with which the fascinating Diane de Poitiers had filled the bosom of that voluptuous monarch.

The château of Chernanceau is built upon arches across the river Cher, whose waters are made to supply the deep moat at each extremity. There is a spacious court-yard in front, from which a drawbridge conducts to the outer hall of the castle. There the armour of Francis the First still hangs upon the wall,-his shield, and helm, and lance, as if the chivalrous but dissolute prince had just exchanged them for the silken robes of the drawing-room. From this hall a door opens into a long gallery, extending the whole length of the building across the Cher. The walls of the gallery are hung with the faded portraits of the long line of the descendants of Hugh Capet; and the windows, looking up and down the stream, command a fine reach of pleasant river-scenery. This is said to be the only château in France in which the ancient furniture of its original age is pre

served. In one part of the building you are shown the bed-chamber of Diane de Poitiers, with its antique chairs covered with faded damask and embroidery, her bed, and a portrait of the royal favourite hanging over the mantlepiece. In another you see the apartment of the infamous Catherine de' Medici; a venerable arm-chair and an autograph letter of Henry the Fourth; and in an old laboratory, among broken crucibles, and neckless retorts, and drums, and trumpets, and skins of wild beasts, and other ancient lumber of various kinds, are to be seen the bed-posts of Francis the First. Doubtless the naked walls of the vast solitary chambers of an old and desolate château inspire a feeling of greater solemnity and awe; but when the antique furniture of the olden time remains, the faded tapestry on the walls, and the arm-chair by the fireside,

the effect upon the mind is more magical and delightful. The old inhabitants of the place, long gathered to their fathers, though living still in history, seem to have left their halls for the chase or the tournament; and as the heavy door swings upon its reluctant hinge, one almost expects to see the gallant princes and courtly dames enter those halls again, and sweep in stately procession along the silent corridors.

Rapt in such fancies as these, and gazing on the beauties of this noble edifice, and the soft scenery around it, I lingered, unwilling to depart, till the rays of the setting sun, streaming through the dusty windows, admonished me that the day was drawing rapidly to a close. I sallied forth from the southern gate of the château, and, crossing the broken drawbridge, pursued a pathway along the bank of the river, still gazing back upon those towering walls, now bathed in the rich glow of sunset, till a turn in the road, and a clump of woodland, at length shut them out from my sight.

A short time after candle-lighting I reached the little tavern of the Boule d'Or, a few leagues from Tours, where I passed the night. The following morning was lowering and sad. A veil of mist hung over the landscape, and ever and anon a heavy shower burst from the overburdened clouds that were driving by before a high and piercing wind. This unpropitious state of the weather detained me until noon, when a cabriolet for Tours drove up; and taking a seat within it, I left the hostess of the Boule d'Or in the middle of a long story about a rich countess, who always alighted there when she passed that way. We drove leisurely along through a beautiful country, till at length we came to the brow of a steep hill, which

« ForrigeFortsæt »