Gerard Manley Hopkins and the Language of MysteryUniversity of Missouri Press, 1991 - 352 sider With detailed readings of major poems and analysis of manuscript revisions, Ellis examines how Hopkins' particular vision of mystery pervasively affects, not only his own language, but a reader's approach to that language. |
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Side 164
... turn its very elements to light : “ They rain . . . rich beams ” ( italics mine ) . But ingenious poetic imagery cannot change fact : the turn occurs swiftly in the sad final phrase , and the beginning of the sestet acknowledges not ...
... turn its very elements to light : “ They rain . . . rich beams ” ( italics mine ) . But ingenious poetic imagery cannot change fact : the turn occurs swiftly in the sad final phrase , and the beginning of the sestet acknowledges not ...
Side 165
... turn from the rather callous , utterly collo- quial cliché " out of sight is out of mind " to " Christ minds " ( italics mine ) is typical of his way of turning wordplay to crucial theologi- cal meaning , the static to the active , the ...
... turn from the rather callous , utterly collo- quial cliché " out of sight is out of mind " to " Christ minds " ( italics mine ) is typical of his way of turning wordplay to crucial theologi- cal meaning , the static to the active , the ...
Side 297
... turns , twists about , blindly moves around the prison walls of mind , a meaning probably linked with the more specifi- cally mental one of " deliberate , debate with oneself , turn over in the mind " -exactly what all of these sonnets ...
... turns , twists about , blindly moves around the prison walls of mind , a meaning probably linked with the more specifi- cally mental one of " deliberate , debate with oneself , turn over in the mind " -exactly what all of these sonnets ...
Indhold
Introduction | 3 |
Mysterious Certainty | 9 |
Vision and Revision | 24 |
Copyright | |
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actual alliteration apparently attempt beauty become beginning Bridges central choice Christ clear comfort complex concept create critical dark death Deutschland discussion distinction divine draft earlier early earth effect emphasizes especially expression eyes fact faith fall feel final fire further Gerard Manley Hopkins give God's grace hand heart hope Hopkins human imagery imagination important initial inscape intensely kind language later least leaves light literal look marks meaning merely metaphor mind mortal mystery nature night notes object opening original pain past perhaps phrase physical poem poet poetic poetry possible present probably readers reading reflect relation remains response result revision seems sense simply sonnet sound speak specifically spiritual stanza statement stress suggested terrible thee things thou thought tion tone touch true truth turn vision whole wholly Wreck