Gerard Manley Hopkins and the Language of MysteryUniversity of Missouri Press, 1991 - 352 sider With detailed readings of major poems and analysis of manuscript revisions, Ellis examines how Hopkins' particular vision of mystery pervasively affects, not only his own language, but a reader's approach to that language. |
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Side 154
... final fall of death . In the final couplet especially - one of the most perfect things written by Hopkins or any other poet , I think — everything works to emphasize this eternal fall : the dying fall of the fading preposi- tions and ...
... final fall of death . In the final couplet especially - one of the most perfect things written by Hopkins or any other poet , I think — everything works to emphasize this eternal fall : the dying fall of the fading preposi- tions and ...
Side 180
... final lines of the poem , however , a yet more strange and splendid “ irony " restores to the name Felix its literal , not ironic , meaning . Though the ending comments also on the more obvious irony , that of human blind- ness to ...
... final lines of the poem , however , a yet more strange and splendid “ irony " restores to the name Felix its literal , not ironic , meaning . Though the ending comments also on the more obvious irony , that of human blind- ness to ...
Side 243
... final form at the same time : the only version of " No worst " and the closest to final version of " ( Carrion Comfort ) " - carried through line 9 - appear on recto and verso of one page , and the pen , ink , and handwriting are ...
... final form at the same time : the only version of " No worst " and the closest to final version of " ( Carrion Comfort ) " - carried through line 9 - appear on recto and verso of one page , and the pen , ink , and handwriting are ...
Indhold
Introduction | 3 |
Mysterious Certainty | 9 |
Vision and Revision | 24 |
Copyright | |
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actual alliteration apparently attempt beauty become beginning Bridges central choice Christ clear comfort complex concept create critical dark death Deutschland discussion distinction divine draft earlier early earth effect emphasizes especially expression eyes fact faith fall feel final fire further Gerard Manley Hopkins give God's grace hand heart hope Hopkins human imagery imagination important initial inscape intensely kind language later least leaves light literal look marks meaning merely metaphor mind mortal mystery nature night notes object opening original pain past perhaps phrase physical poem poet poetic poetry possible present probably readers reading reflect relation remains response result revision seems sense simply sonnet sound speak specifically spiritual stanza statement stress suggested terrible thee things thou thought tion tone touch true truth turn vision whole wholly Wreck