The Yale Literary Magazine, Bind 133Appended to v. 30: Valedictory poem and oration pronounced before the senior class in Yale College, Presentation Day, June 21, 1865; Catalogue of the officers and studeints in Yale College, with a statement of the course of instruction in the various departments, 1864-65. |
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Side 11
I do not want to comment to any great extent on Brakhage's writing as such . Essentially most to the center in the form of a letter , his prose has the emotive force to convey the man and his meaning to us , without a pretense of ...
I do not want to comment to any great extent on Brakhage's writing as such . Essentially most to the center in the form of a letter , his prose has the emotive force to convey the man and his meaning to us , without a pretense of ...
Side 8
They show , " an understanding of basic human situations / none is better in American writing now " , 13 . For Love ; The Island . ROBERT DUNCAN . Whose unsurpasst experiment The Opening of with the form of poetry makes him a major ...
They show , " an understanding of basic human situations / none is better in American writing now " , 13 . For Love ; The Island . ROBERT DUNCAN . Whose unsurpasst experiment The Opening of with the form of poetry makes him a major ...
Side 27
To attempt to classify writing before one has had the experience of its activity will be to misplace it altogether . What can be said is something itself ... 1 The forties were a hostile time for the writers toward whom I feel kinship .
To attempt to classify writing before one has had the experience of its activity will be to misplace it altogether . What can be said is something itself ... 1 The forties were a hostile time for the writers toward whom I feel kinship .
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EDITORS TABLE REVIEWS 4 NEW POETRY 1964 Daniel Harris | 4 |
JUBB William Matthews | 6 |
THE WOODEN MODEL Edward Muller | 7 |
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Anthony artistic audience Big George body Bollingen BROADWAY Buck Bunuel camera Candy CHARLES OLSON cinema cold College Cooper criticism dark dead door dream eyes face father Feegan Feegan says feel feet Feinman felt film fingers flesh floor girl hair hand Haven head Karl Kenneth Anger Kieffer laugh legs light LIQUOR living look Louis Zukofsky Marvin MICHAEL POLLOCK morning mother moving Muller night novel Overseas Cap PAUL PREUSS Peter poems poet poetry Pookie Pyle road Robert Creeley rock Roosevelt Sammy screen seat sense shot shoulder Silliman College smiled snow soft song sound STAN BRAKHAGE Stanford Shopping Center stopped Street Surrealism talk tell things thought thru trees turned Viridiana voice walked watched window woman Woolsey Hall writing Yale Literary Magazine