The Yale Literary Magazine, Bind 133Appended to v. 30: Valedictory poem and oration pronounced before the senior class in Yale College, Presentation Day, June 21, 1865; Catalogue of the officers and studeints in Yale College, with a statement of the course of instruction in the various departments, 1864-65. |
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Side 8
In Chicago , in what is perhaps the weakest scene of the book ( any scene in which the setting is more out- side Moses's mind than in it seems to suffer by comparison ) , he wanders around outside his ex - wife's house with a gun ...
In Chicago , in what is perhaps the weakest scene of the book ( any scene in which the setting is more out- side Moses's mind than in it seems to suffer by comparison ) , he wanders around outside his ex - wife's house with a gun ...
Side 24
Perhaps you have lain awake at night and thought of his ghost wandering , Or , struck down in love , tried to keep your headless state from being implacably discovered . It is not , as you well know , heartless that the unloved go down ...
Perhaps you have lain awake at night and thought of his ghost wandering , Or , struck down in love , tried to keep your headless state from being implacably discovered . It is not , as you well know , heartless that the unloved go down ...
Side 20
For example perhaps it would be desirable in film to establish a convention or find a device for indicating cross - cut action taking place at two different places at two different times . Right now a film maker can't show that : cross ...
For example perhaps it would be desirable in film to establish a convention or find a device for indicating cross - cut action taking place at two different places at two different times . Right now a film maker can't show that : cross ...
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EDITORS TABLE REVIEWS 4 NEW POETRY 1964 Daniel Harris | 4 |
JUBB William Matthews | 6 |
THE WOODEN MODEL Edward Muller | 7 |
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Anthony artistic audience Big George body Bollingen BROADWAY Buck Bunuel camera Candy CHARLES OLSON cinema cold College Cooper criticism dark dead door dream eyes face father Feegan Feegan says feel feet Feinman felt film fingers flesh floor girl hair hand Haven head Karl Kenneth Anger Kieffer laugh legs light LIQUOR living look Louis Zukofsky Marvin MICHAEL POLLOCK morning mother moving Muller night novel Overseas Cap PAUL PREUSS Peter poems poet poetry Pookie Pyle road Robert Creeley rock Roosevelt Sammy screen seat sense shot shoulder Silliman College smiled snow soft song sound STAN BRAKHAGE Stanford Shopping Center stopped Street Surrealism talk tell things thought thru trees turned Viridiana voice walked watched window woman Woolsey Hall writing Yale Literary Magazine