The Yale Literary Magazine, Bind 133Yale Literary Society, 1964 Appended to v. 30: Valedictory poem and oration pronounced before the senior class in Yale College, Presentation Day, June 21, 1865; Catalogue of the officers and studeints in Yale College, with a statement of the course of instruction in the various departments, 1864-65. |
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Side 31
... moving image more closely than a stationary one , by the instinct of the beast in the field or the man at the intersection . We are all compelled toward motion and change and moving pictures . This is the mechanical metaphysic of our ...
... moving image more closely than a stationary one , by the instinct of the beast in the field or the man at the intersection . We are all compelled toward motion and change and moving pictures . This is the mechanical metaphysic of our ...
Side 40
... moving from place to place , but it may also be a shift in light or color values , a succession of tone on the soundtrack ( musical or otherwise , so long as there is an environmental identification ) , or the juxtaposition of different ...
... moving from place to place , but it may also be a shift in light or color values , a succession of tone on the soundtrack ( musical or otherwise , so long as there is an environmental identification ) , or the juxtaposition of different ...
Side 14
... moving straight forward at a slightly increased speed . Drumbeats now normal speed . Same scene is repeated , faster still . Drumbeats like- wise . Scenes are increasingly brighter , still black and white . Now a courtyard , four walls ...
... moving straight forward at a slightly increased speed . Drumbeats now normal speed . Same scene is repeated , faster still . Drumbeats like- wise . Scenes are increasingly brighter , still black and white . Now a courtyard , four walls ...
Indhold
EDITORS TABLE REVIEWS 4 NEW POETRY 1964 Daniel Harris | 4 |
JUBB William Matthews | 6 |
THE WOODEN MODEL Edward Muller | 7 |
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Anthony artistic audience Big George body Bollingen BROADWAY Buck Bunuel camera Candy CHARLES OLSON cinema cold College Cooper criticism dark dead door dream eyes face father Feegan Feegan says feel feet Feinman felt film fingers flesh floor girl hair hand Haven head Karl Kenneth Anger Kieffer laugh legs light LIQUOR living look Louis Zukofsky Marvin MICHAEL POLLOCK morning mother moving Muller night novel Overseas Cap PAUL PREUSS Peter poems poet poetry Pookie Pyle road Robert Creeley rock Roosevelt Sammy screen seat sense shot shoulder Silliman College smiled snow soft song sound STAN BRAKHAGE Stanford Shopping Center stopped Street Surrealism talk tell things thought thru trees turned Viridiana voice walked watched window woman Woolsey Hall writing Yale Literary Magazine