The Yale Literary Magazine, Bind 133Yale Literary Society, 1964 Appended to v. 30: Valedictory poem and oration pronounced before the senior class in Yale College, Presentation Day, June 21, 1865; Catalogue of the officers and studeints in Yale College, with a statement of the course of instruction in the various departments, 1864-65. |
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Side 18
... feel the pulse of the desert and watch the carp in the Colorado hollows , the hallowed few that hand around the outskirts of the banging in a peripheral sus- tanance . . . some bit of forbidden insanity deafened by the clanking chains ...
... feel the pulse of the desert and watch the carp in the Colorado hollows , the hallowed few that hand around the outskirts of the banging in a peripheral sus- tanance . . . some bit of forbidden insanity deafened by the clanking chains ...
Side 39
... feel afraid because you run , not vice versa . Of course it may be that no one but the actor himself will discover an emotion thus produced . It follows that the feeling doesn't exist in any objective , communicable sense . the emotion ...
... feel afraid because you run , not vice versa . Of course it may be that no one but the actor himself will discover an emotion thus produced . It follows that the feeling doesn't exist in any objective , communicable sense . the emotion ...
Side 33
... feel that Allen Ginsberg's insistent equation of states of feeling or being with so - called ' material ' things is surreal and / or a dimension of reality less present in one of its aspects than in another . There is a persistent ...
... feel that Allen Ginsberg's insistent equation of states of feeling or being with so - called ' material ' things is surreal and / or a dimension of reality less present in one of its aspects than in another . There is a persistent ...
Indhold
EDITORS TABLE REVIEWS 4 NEW POETRY 1964 Daniel Harris | 4 |
JUBB William Matthews | 6 |
THE WOODEN MODEL Edward Muller | 7 |
Copyright | |
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Anthony artistic audience Big George body Bollingen BROADWAY Buck Bunuel camera Candy CHARLES OLSON cinema cold College Cooper criticism dark dead door dream eyes face father Feegan Feegan says feel feet Feinman felt film fingers flesh floor girl hair hand Haven head Karl Kenneth Anger Kieffer laugh legs light LIQUOR living look Louis Zukofsky Marvin MICHAEL POLLOCK morning mother moving Muller night novel Overseas Cap PAUL PREUSS Peter poems poet poetry Pookie Pyle road Robert Creeley rock Roosevelt Sammy screen seat sense shot shoulder Silliman College smiled snow soft song sound STAN BRAKHAGE Stanford Shopping Center stopped Street Surrealism talk tell things thought thru trees turned Viridiana voice walked watched window woman Woolsey Hall writing Yale Literary Magazine