The Yale Literary Magazine, Bind 133Yale Literary Society, 1964 Appended to v. 30: Valedictory poem and oration pronounced before the senior class in Yale College, Presentation Day, June 21, 1865; Catalogue of the officers and studeints in Yale College, with a statement of the course of instruction in the various departments, 1864-65. |
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Side 40
... experience vicariously ; when we see what he does , we experience more directly . ) What makes these two examples simplistic is that in both cases the camera is actually in motion . But film produces emotion directly whenever it ...
... experience vicariously ; when we see what he does , we experience more directly . ) What makes these two examples simplistic is that in both cases the camera is actually in motion . But film produces emotion directly whenever it ...
Side 27
... experience of its activity will be to misplace it altogether . What can be said is something itself particular to senses of form , to the literal nature of living in a given place , to a world momently informed by what energies inhabit ...
... experience of its activity will be to misplace it altogether . What can be said is something itself particular to senses of form , to the literal nature of living in a given place , to a world momently informed by what energies inhabit ...
Side 14
... experience . Duplicating and heightening actual experience through the selective use of photographic material is an essential aim of film - making , one which The Experiment shares in part . At the same time an attempt is made to assess ...
... experience . Duplicating and heightening actual experience through the selective use of photographic material is an essential aim of film - making , one which The Experiment shares in part . At the same time an attempt is made to assess ...
Indhold
EDITORS TABLE REVIEWS 4 NEW POETRY 1964 Daniel Harris | 4 |
JUBB William Matthews | 6 |
THE WOODEN MODEL Edward Muller | 7 |
Copyright | |
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Anthony artistic audience Big George body Bollingen BROADWAY Buck Bunuel camera Candy CHARLES OLSON cinema cold College Cooper criticism dark dead door dream eyes face father Feegan Feegan says feel feet Feinman felt film fingers flesh floor girl hair hand Haven head Karl Kenneth Anger Kieffer laugh legs light LIQUOR living look Louis Zukofsky Marvin MICHAEL POLLOCK morning mother moving Muller night novel Overseas Cap PAUL PREUSS Peter poems poet poetry Pookie Pyle road Robert Creeley rock Roosevelt Sammy screen seat sense shot shoulder Silliman College smiled snow soft song sound STAN BRAKHAGE Stanford Shopping Center stopped Street Surrealism talk tell things thought thru trees turned Viridiana voice walked watched window woman Woolsey Hall writing Yale Literary Magazine