The Yale Literary Magazine, Bind 133Yale Literary Society, 1964 Appended to v. 30: Valedictory poem and oration pronounced before the senior class in Yale College, Presentation Day, June 21, 1865; Catalogue of the officers and studeints in Yale College, with a statement of the course of instruction in the various departments, 1864-65. |
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Side 12
... audience simply seized on the particularity of a topical line to applaud the general tone of the song , indeed , of the evening . The audience was from that point on a part of the performance . They would applaud at the recognition of ...
... audience simply seized on the particularity of a topical line to applaud the general tone of the song , indeed , of the evening . The audience was from that point on a part of the performance . They would applaud at the recognition of ...
Side 13
... audience , but something larger , an event , a liturgical experience . What mattered more than Dylan's evident ability as a singer and composer was his ability to embody the stratagems and stances of his audience , to deplore the things ...
... audience , but something larger , an event , a liturgical experience . What mattered more than Dylan's evident ability as a singer and composer was his ability to embody the stratagems and stances of his audience , to deplore the things ...
Side 39
... audience . The audience responds emotionally by identification with the actor . ( Identification with another human being is peculiarly strong when he is actually present , as in the theater , although movies too make effective use of ...
... audience . The audience responds emotionally by identification with the actor . ( Identification with another human being is peculiarly strong when he is actually present , as in the theater , although movies too make effective use of ...
Indhold
EDITORS TABLE REVIEWS 4 NEW POETRY 1964 Daniel Harris | 4 |
JUBB William Matthews | 6 |
THE WOODEN MODEL Edward Muller | 7 |
Copyright | |
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Anthony artistic audience Big George body Bollingen BROADWAY Buck Bunuel camera Candy CHARLES OLSON cinema cold College Cooper criticism dark dead door dream eyes face father Feegan Feegan says feel feet Feinman felt film fingers flesh floor girl hair hand Haven head Karl Kenneth Anger Kieffer laugh legs light LIQUOR living look Louis Zukofsky Marvin MICHAEL POLLOCK morning mother moving Muller night novel Overseas Cap PAUL PREUSS Peter poems poet poetry Pookie Pyle road Robert Creeley rock Roosevelt Sammy screen seat sense shot shoulder Silliman College smiled snow soft song sound STAN BRAKHAGE Stanford Shopping Center stopped Street Surrealism talk tell things thought thru trees turned Viridiana voice walked watched window woman Woolsey Hall writing Yale Literary Magazine