The Yale Literary Magazine, Bind 133Yale Literary Society, 1964 Appended to v. 30: Valedictory poem and oration pronounced before the senior class in Yale College, Presentation Day, June 21, 1865; Catalogue of the officers and studeints in Yale College, with a statement of the course of instruction in the various departments, 1864-65. |
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Side 43
... Bunuel puts to good use his experience as a surrealist . Robinson is too weak to move and in the feverish nightmare of his agony ( he is stretched out Christ - like ) , he dreams of his father back in England who appears as an evil ...
... Bunuel puts to good use his experience as a surrealist . Robinson is too weak to move and in the feverish nightmare of his agony ( he is stretched out Christ - like ) , he dreams of his father back in England who appears as an evil ...
Side 44
... Bunuel's fellow country- man , the poet Antonio Machado , when he says : El ojo que ves no es ojo porque tú lo veas , es ojo porque te ve . ( The eye that you see is not an eye because you see it , it is an eye because it sees you ) ...
... Bunuel's fellow country- man , the poet Antonio Machado , when he says : El ojo que ves no es ojo porque tú lo veas , es ojo porque te ve . ( The eye that you see is not an eye because you see it , it is an eye because it sees you ) ...
Side 45
... Bunuel a sensationalistic monster for his enemies , and , for his blind enthusiasts , a holy anti - Christ . But Bunuel is neither one ; he has brought to the film medium a com- bination of talents and personal qualities which are ...
... Bunuel a sensationalistic monster for his enemies , and , for his blind enthusiasts , a holy anti - Christ . But Bunuel is neither one ; he has brought to the film medium a com- bination of talents and personal qualities which are ...
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EDITORS TABLE REVIEWS 4 NEW POETRY 1964 Daniel Harris | 4 |
JUBB William Matthews | 6 |
THE WOODEN MODEL Edward Muller | 7 |
Copyright | |
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Anthony artistic audience Big George body Bollingen BROADWAY Buck Bunuel camera Candy CHARLES OLSON cinema cold College Cooper criticism dark dead door dream eyes face father Feegan Feegan says feel feet Feinman felt film fingers flesh floor girl hair hand Haven head Karl Kenneth Anger Kieffer laugh legs light LIQUOR living look Louis Zukofsky Marvin MICHAEL POLLOCK morning mother moving Muller night novel Overseas Cap PAUL PREUSS Peter poems poet poetry Pookie Pyle road Robert Creeley rock Roosevelt Sammy screen seat sense shot shoulder Silliman College smiled snow soft song sound STAN BRAKHAGE Stanford Shopping Center stopped Street Surrealism talk tell things thought thru trees turned Viridiana voice walked watched window woman Woolsey Hall writing Yale Literary Magazine