Jahrbuch, Bind 129Quelle & Meyer, 1993 Vols. for 1964- include Shakespeare-Bibliographie. |
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Side 35
... audience involved in a world war . Common to the western ( and the medieval romance ) are a straightforward narrative with a clear moral , a polarization of good and evil , archetetypal rather than complex characters , the separation of ...
... audience involved in a world war . Common to the western ( and the medieval romance ) are a straightforward narrative with a clear moral , a polarization of good and evil , archetetypal rather than complex characters , the separation of ...
Side 324
... audience . Long tedious descriptions are not appreciated by the majority of our audience ( many of whom do not speak English anyway ) . In the Prologue we establish that Lumakien ( the " mother of the island " ) has given birth to the ...
... audience . Long tedious descriptions are not appreciated by the majority of our audience ( many of whom do not speak English anyway ) . In the Prologue we establish that Lumakien ( the " mother of the island " ) has given birth to the ...
Side 327
... audience . Our main stage prop was Yevi's cave . Scene changes were made just by moving a few bushes and papier maché rocks around . Thus the brisk pace of the play was unimpeded by elaborate scene changes , and its overall simplicity ...
... audience . Our main stage prop was Yevi's cave . Scene changes were made just by moving a few bushes and papier maché rocks around . Thus the brisk pace of the play was unimpeded by elaborate scene changes , and its overall simplicity ...
Indhold
Shakespeare und die Medien Von Maik Hamburger | 11 |
Recycled Film Codes and the Study of Shakespeare on Film By Lawrence Guntner | 31 |
A Kingdom for a Stage oder A Kingdom for a Screen? Der Chorus in Kenneth Bra | 41 |
Copyright | |
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Anglistik Anlaß Applaus Asta Nielsen audience Aufführung Austria Autoren beiden Beobachtung Berlin besonders bewußt Boito Branagh Buch Bühne Chorus Claudius Darstellung Deutschen Shakespeare-Gesellschaft Drama Dramen elisabethanischen Elze England englischen erst Falstaff feminist Figuren film codes first Frau Geschichte Gesellschaft Giuseppe Verdi great Greenblatt großen Hamburg Hamlet Hamlet's Henry historischen Holderness Ingleby Inszenierung Jahrbuch Jahre John Jonson Kenneth Branagh King Lear Komödie König Kritiken läßt Laurence Olivier Leiva Petersen lich literarische Literatur London Macbeth Maß Measure for Measure Merry Wives mother München muß Nachrichten Neue New Historicism Olivier Olivier's Oper Österreich Othello performance Peter Peymann play plays politischen Presse production Prof Publikum Renaissance Richard Romeo Royal Shakespeare Company scene Schauspieler schen schließlich Schluß Shake Shakespeare Company Shakespeare-Tage Shakespeare's Sommernachtstraum sowie speare Spielzeit Sprache stage Stück Szene Tagblatt Text Theater Thomas Totengräber Tragödie unserer Weimar Weiß Welt Werk wieder Wien William Shakespeare Wolfgang world wormwood Yevi Zeitung Zuschauer