and the great distance to be traversed, render each movement the lift from the water, the backward flight of the line, the return motion, and the drop at the point desired-as distinct to a quick perception as the beat of a bar in music. But there are occasions when it would not do to cast by count. If the wind is strong in any direction the movement of the line is perceptibly effected; and if the wind happens to be at your back, it requires great skill and care to counteract its influence and secure satisfactory results. With such a wind, unless you are perfect master of the situation, you will be apt to snap off more flies in an hour than you will be likely to lose legitimately in a fortnight. Nine-tenths of all the flies I ever lost took their departure before I learned how to cast safely with a high wind at my back. In many salmon rivers the pools are so placed and the general body of water is of such depth that you can always cast from your anchored canoe. As, under such circumstances, there are no obstructions behind you, less care is required in keeping your fly well up in its backward flight than when casting from the shore-as in some rivers you always have to do. In the salmon season the water is usually well down in the banks, and in many rivers the slope from high water mark to the summer channel is considerable. In casting, as a rule, you stand near the water; unless, therefore, you cast high-that is, unless you keep your fly well up in its backward flight it will almost certainly long line. That coveted result is not to be attained by mere muscle. If you have a giant's strength you mustn't use it like a giant. If you do you will never make a long or a graceful cast with either trout or salmon rod. With both there must be only such strength used as is necessary to give the line a quick but not a snappy back movement-keeping up the motion evenly until the fly is placed where you desire it. The most difficult attainment, in both salmon and trout casting, is to be able, with instinctive accuracy, to measure the distance traversed by the backward movement of your line. If you begin the return too soon your line will snap and thereby endanger your fly; if you are too tardy it will droop and thereby lose the continuity of tension indispensable to a graceful and effective forward movement. This essential art can only be attained by practice. Some attain it readily; others never;-just as some measure time in music with unerring accuracy, without a teacher; some only acquire the art after protracted drilling, and others never acquire it at all. There is almost as perfect rhythm in fly-casting as in music. Given a definite length of line and the expert can measure his cast by his one, two, three, four, as accurately as a teacher can regulate the time of his orchestra by the movement of his baton. While this is true in casting with either rod it is most noticeable in casting for salmon. The heavy line, the massive springy rod, and the great distance to be traversed, render each movement the lift from the water, the backward flight of the line, the return motion, and the drop at the point desired-as distinct to a quick perception as the beat of a bar in music. But there are occasions when it would not do to cast by count. If the wind is strong in any direction the movement of the line is perceptibly effected; and if the wind happens to be at your back, it requires great skill and care to counteract its influence and secure satisfactory results. With such a wind, unless you are perfect master of the situation, you will be apt to snap off more flies in an hour than you will be likely to lose legitimately in a fortnight. Nine-tenths of all the flies I ever lost took their departure before I learned how to cast safely with a high wind at my back. In many salmon rivers the pools are so placed and the general body of water is of such depth that you can always cast from your anchored canoe. As, under such circumstances, there are no obstructions behind you, less care is required in keeping your fly well up in its backward flight than when casting from the shore-as in some rivers you always have to do. In the salmon season the water is usually well down in the banks, and in many rivers the slope from high water mark to the summer channel is considerable. In casting, as a rule, you stand near the water; unless, therefore, you cast high-that is, unless you keep your fly well up in its backward flight it will almost certainly care. come in contact with a stone or boulder of some sort and be broken. To avoid this mishap requires great You must keep the point of your rod well up always-several degrees higher than when casting on the water. My first experience in shore-casting where the banks had a precipitous slope cost me a great many pet flies; and I never got to feel really "at home" in casting under such circumstances. It detracts from the sport when your mind is occupied with the proper swing of the line. But enough of ecstacy remains to enable one to overlook this inconsiderable drawback. Only give the angler an opportunity to cast from any sort of standpoint and he will speedily discover the proper lift and swing to overcome any obstacle, and be happy. Salmon casting-especially the frequency of the cast -depends largely upon the character of the water you are fishing. If the pool is straight and narrow and the current strong, and you are casting from a canoe, you can so manipulate your fly as to render frequent casts unnecessary-the important thing being not to let your fly sink, as it is not likely to do in such a current. In large pools where the current is sluggish, as is sometimes the case, frequent casts are necessary in order to touch it at every point with your fly on the surface. Where you are able to cast across a pool, if the current moves with a moderate force, you can sweep it at each cast by giving your rod the proper motion. This latter class of pools are those most coveted, because you can cover a great deal of ground with very little effort. If you fall in with a pool-as you sometimes will—where the current is so sluggish as to be almost imperceptible, frequent casts are unavoidable. Without them, not only will your fly sink, but your line will soon acquire a slack which not only gives one an uncomfortable feeling but is unsafe in case of a rise. The very first requisite in salmon fishing is a taut line. It is not only requisite for safety, but without it it is impossible to promptly and properly recover your line for a new cast. But there is nothing so tests a salmon angler's skill and patience as to cast in an eddy or whirl. No matter how carefully or at what distance one casts, the moment the fly touches the water it begins to come back upon you, compelling constant casting if you cast at all. The result is a great deal of hard work with very little effect, because to keep a straight line your fly must be lifted almost the very moment it finds a lodgment on the surface. In such a pool one soon becomes weary with his efforts to place and hold his fly in the desired position, for it is not often that he is rewarded by a rise. Since my first experience in such a pool I have never hankered after its counterpart. And yet it was a sort of success in this way: Having become tired casting I allowed my fly to go as it pleased. It was soon out of sight, having been drawn down by one of the whirls, and in reeling up to prevent its being twisted around the rock I presumed to be the primary cause of the whirl, I found myself hooked to a fish which had taken my fly at least ten or twelve feet below the sur |