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Parson N*tt, the would-be Bishop. Warburton's
'Legation of Moses' no authority. Poets and
penknives. Lord Byron's return from Greece
in 1812; attachment to the Morea: Second
Canto of Childe Harold.' Lady Jersey.
Brummell. A hot-pressed darling.

The Cor-

47-51

sair.' Polidori. The four trials
Imputed ingratitude towards a certain person-

age; defence.

The Irish Avatara. Lord Ed-

ward Fitzgerald; his adventures; Ça ira. The
O'Connors. Fate of Lord Edward Fitzgerald

Query on a line in Beppo :' answer.

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52-65
Remarks

on a certain novel. 'The Giaour' and the
sage reviewer. Shelley and the Bookseller.
Sotheby, Edgeworth, Galignani, and Moore,
Intended mystification. Baron Lutzerode;
his heroic action. Lord Byron's distaste for
princes and their satellites. De la Martine's
comparison; his Méditations Poétiques.'
Harrow a nursery for politicians. Lord By-
ron's indifference to politics; his detestation
of Castlereagh. Lord Byron's two speeches.
in the House; universality of his views. Por-
tugal and Spain. Greece. The Austrians in
Venice. Ireland. Lord Cochrane and Mavro-

65-86

cordatos. Remarks on Lambrino's ode. Lord
Byron's opinion of affairs in the Morea. The
Turks; their mode of warfare. Prophetic age
of Voltaire, Alfieri, and Goldsmith. Shelley's
observation on poets.
Lord Byron's pros-
pective plans. Greece. The Guiccioli. Lock
of Napoleon's hair. Lord Carlisle's poem to
Lady Holland respecting the snuff-box: Lord
Byron's parody on it. Epigram on Lord
Carlisle. Shelley's talent for poetry; compa-
rison between his works and Chatterton's. Re-
marks on metres
The Reviews. Shelley and Keats. Milman's
'Fazio.' 'The Quarterly' and Shelley; Lord
Byron's eulogium on the latter. Milman's
'Siege of Jerusalem,' and his obligations to
Milton. The Quarterly Reviewers. Dryden's
cutting couplet. Keats and. the Cockneys.
Keats's sentimentalism. ·
Hyperion.' Lord
Thurlow. Lalla Rookh.' Moore and Captain
Ellis; instance of an Irishism in the former.
The Lusiad' and Lord Strangford. The Ber-.
muda affair; Moore's independence.
• The
Fudge Family:' Letter to Big Ben. Moore's
immortality: the Irish Melodies . 86-92

The author takes leave of Lord Byron for some time. The affray at Pisa; French account of it; the depositions. Banishment of the Counts. Gamba and Lord Byron's servants from Pisa. His Lordship's departure. The Gambas ordered to quit the Tuscan States. The Lanfranchi palace. Arrival of Leigh Hunt and his family. Shelley's death; Memoir of him (in a note) burning of his body; descriptive account of the scene. Lord Byron's remedy for a fever. His attachment to the Countess Guiccioli. His first introduction to Leigh Hunt, and his sense of gratitude. Object of Hunt's journey. His Lordship's intended translation of Ariosto. riodical.

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92-123

Advice of Moore. The new PeLord Byron's opinion of Hunt. The Blue-coat foundation. Punning booktitles Lord Byron's intention of a trip to America. Civilities from the Americans; different treatment by an English sloop of war. Lord Byron's naval ancestor. 'Werner.' Miss Lee's Canterbury Tales: the German's Tale. 'Vathek.' The Cave of Eblis. Paul and Virginia.' 'The Man of Feeling:' La Roche. 'Werner' written in twenty-eight days; dedication of Werner.'

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Lord Byron's curiosity respecting Goethe.
Faust' Coleridge declines translating it

123-131

Hobhouse; commencement of his and Lord By-

ron's friendship; similarity of pursuits. De-

dication of Childe Harold.' Lady Charlotte

Harley, Lord Byron's Ianthe. Hobhouse's

dissertation on Italian literature; his anti-

quarian knowledge; his sensibility. Lord

Byron's time of and facility for writing; his

few corrections and surprising memory; his

conversational talent; his unreserve and sin-

cerity; his impatience of prolixity and distaste

for argument; his tendency to extremes; his

inconsistency in pecuniary matters. 132-136

Lord Byron's attack of indolence; his impaired
digestion; his indulgence in wine and Hol-
lands. Alleged source of his inspiration: the
true Hippocrene. The Author takes leave of
Lord Byron. Sketch of Lord Byron's charac-
ter. Parallel between Alfieri and Lord Byron.
The latter's pride of ancestry, and indepen-
dence of character; his political sentiments:
the Michael Angelo of poetry. True poetical
inspiration. The poetical merits of Lord By-
ron's works. Invidious cognomen of the Satanic

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