Theatre, Culture and Society: Essays, Addresses and LecturesRyburn Pub., Keele University Press, 1994 - 311 sider A book about Sir Henry Irving. |
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Side 39
... force to poet or novelist . Do not imagine that I am claiming for the actor sole and undivided authority . He should himself be a student , and it is his business to put into practice the best ideas he can gather from the general ...
... force to poet or novelist . Do not imagine that I am claiming for the actor sole and undivided authority . He should himself be a student , and it is his business to put into practice the best ideas he can gather from the general ...
Side 42
... force to his acting in the most pathetic situations of the play . Are we to suppose that this was a delusion , or that the sensibility of the man was a genuine aid to the actor ? Bannister said of John Kemble that he was never pathetic ...
... force to his acting in the most pathetic situations of the play . Are we to suppose that this was a delusion , or that the sensibility of the man was a genuine aid to the actor ? Bannister said of John Kemble that he was never pathetic ...
Side 187
... force on the public either very good or very bad dramatic material is an utter delusion . They have no such power . If they had the will they could only force any particular sort of entertainment just as long as they had capital to ...
... force on the public either very good or very bad dramatic material is an utter delusion . They have no such power . If they had the will they could only force any particular sort of entertainment just as long as they had capital to ...
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acting action actor admirable appeared artist audience beauty become believe better calling century character common complete course criticism drama effect effort emotion English experience expression eyes fact feel follow force Garrick genius give given greatest Hamlet hand heart Henry hold honour hope human idea imagination importance individual influence interest interpretation Irving Irving's kind King knowledge less lives London look Macbeth manager matter means memory mind moral nature necessary never noble passion performance perhaps play players poet popular possible present produced profession reason regard remember represent scene seems sense Shakespeare society speak speech spirit stage success suggestion sure taste theatre theatrical things thought to-day true whole write