Theatre, Culture and Society: Essays, Addresses and LecturesRyburn Pub., Keele University Press, 1994 - 311 sider A book about Sir Henry Irving. |
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Side 21
... character but character as defined by the nineteenth century , and here he is entirely in tune with an age in which there was almost a religion of character , summed up best by Samuel Smiles , who wrote : " Character is human nature in ...
... character but character as defined by the nineteenth century , and here he is entirely in tune with an age in which there was almost a religion of character , summed up best by Samuel Smiles , who wrote : " Character is human nature in ...
Side 62
... character . Of course he played Cibber's version and not Shakespeare's . In fact , many of the Shakespearean parts were not played from the poet's own text , but Garrick might have doubted whether even his popularity would have recon ...
... character . Of course he played Cibber's version and not Shakespeare's . In fact , many of the Shakespearean parts were not played from the poet's own text , but Garrick might have doubted whether even his popularity would have recon ...
Side 73
... character is the foundation of our art , or that the detail which is foreign to a character ought not to be presented for the sake of theatrical effect . But the essay is not a primer for beginners , it is addressed to the writer's ...
... character is the foundation of our art , or that the detail which is foreign to a character ought not to be presented for the sake of theatrical effect . But the essay is not a primer for beginners , it is addressed to the writer's ...
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acting action actor admirable appeared artist audience beauty become believe better calling century character common complete course criticism drama effect effort emotion English experience expression eyes fact feel follow force Garrick genius give given greatest Hamlet hand heart Henry hold honour hope human idea imagination importance individual influence interest interpretation Irving Irving's kind King knowledge less lives London look Macbeth manager matter means memory mind moral nature necessary never noble passion performance perhaps play players poet popular possible present produced profession reason regard remember represent scene seems sense Shakespeare society speak speech spirit stage success suggestion sure taste theatre theatrical things thought to-day true whole write