English Composition and Rhetoric, Del 2Longmans, Green & Company, 1892 |
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Side xxiii
... contrast with the poet's mature genius , ... Keats's Hyperion in his palace , Sonnet of Wordsworth , -exemplifying Elevation of Thought , Objectivity and Concreteness , FEELING . ... Variety of designations for the Amicable side of our ...
... contrast with the poet's mature genius , ... Keats's Hyperion in his palace , Sonnet of Wordsworth , -exemplifying Elevation of Thought , Objectivity and Concreteness , FEELING . ... Variety of designations for the Amicable side of our ...
Side 7
... Contrast and Innuendo , for rendering flattery effective , while depriving it of the vice of fulsomeness . There are good and also refined modes of flattery , as Literature abundantly testifies . There is delicate flattery in Dekker's ...
... Contrast and Innuendo , for rendering flattery effective , while depriving it of the vice of fulsomeness . There are good and also refined modes of flattery , as Literature abundantly testifies . There is delicate flattery in Dekker's ...
Side 17
... contrast of Subjective and Objective has already been illustrated with reference to the emotional vocabulary ( p . 11 ) . There is greater mental exhilaration in directing our view upon outward things than in dwelling on states of the ...
... contrast of Subjective and Objective has already been illustrated with reference to the emotional vocabulary ( p . 11 ) . There is greater mental exhilaration in directing our view upon outward things than in dwelling on states of the ...
Side 21
... that it was intended to feed canals ; this is considerably remote from the conception of a poetic or artistic mind . Tennyson's Brook ' will at once show the contrast . 6 The human form , physiognomy , movements and ex- pression 22222.
... that it was intended to feed canals ; this is considerably remote from the conception of a poetic or artistic mind . Tennyson's Brook ' will at once show the contrast . 6 The human form , physiognomy , movements and ex- pression 22222.
Side 32
... contrast between poetry and the ordinary prose . 6 In Shelley's Skylark , ' the limitation contained in the opening stanza is slightly out of harmony with the strong feeling expressed : - Hail to thee , blithe spirit , Bird thou never ...
... contrast between poetry and the ordinary prose . 6 In Shelley's Skylark , ' the limitation contained in the opening stanza is slightly out of harmony with the strong feeling expressed : - Hail to thee , blithe spirit , Bird thou never ...
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agreeable Anacreon artistic beauty Beneficent Strength character charm circumstances combination comparison contrast delight delineation depicted diction divine effect elevation embodiment energy epithets erotic Eurydice example exemplified expression eyes figure force friendship genius give grandeur harmony heaven highest Homer human hyperbolical Hyperion ideal Iliad illustrated impression intellectual intensity interest INTERESTING AND UNINTERESTING Julius Cæsar kind language lines literary lofty lovers Maleficent Strength Malevolence malignant mankind Matthew Arnold ment Milton mind modes moral mountain nature ness Neutral Strength objects ocean Ode to Duty pain Paradise Lost parental feeling passage passion Pathos Patroclus personification physical picture pleasure plot poem poet poet's poetic poetic diction poetry pure redeeming reference regard Sappho scene sexes Shakespeare stanza stars strain sublime superiority sweet sympathy Tamburlaine tender emotion Tender Feeling thee theme Theocritus things thou thought tion touches treatment vast vocabulary winds words Wordsworth