Chalmers' vast collection, with the whole works of all accessible poets not contained in it, and the best Anthologies of different periods, have been twice systematically read through; and it is hence improbable that any omissions which may be regretted are due to oversight. The poems are printed entire, except in a very few instances where a stanza or passage has been omitted. These omissions have been risked only when the piece could be thus brought to a closer lyrical unity; and, as essentially opposed to this unity, extracts, obviously such, are excluded. In regard to the text, the purpose of the book has appeared to justify the choice of the most poetical version, wherever more than one exists; and much labour has been given to present each poem, in disposition, spelling, and punctuation, to the greatest advantage. In the arrangement, the most poetically-effective order has been attempted. The English mind has passed through phases of thought and cultivation so various and so opposed during these three centuries of Poetry, that a rapid passage between old and new, like rapid alteration of the eye's focus in looking at the landscape, will always be wearisome and hurtful to the sense of Beauty. The poems have been therefore distributed into Books corresponding, I. to the ninety years closing about 1616, II thence to 1700, III. to 1800, IV. to the half century just ended. Or, looking at the Poets who more or less give each portion its distinctive character, they might be called the Books of Shakespeare, Milton, Gray, and Wordsworth. The volume, in this respect, so far as the limitations of its range allow, accurately reflects the natural growth and evolution of our Poetry. A rigidly - si saquence, however, rather fits a collection struction than at pleasure, and the wisdom was rough pleasure:—within each book the e derefore been arranged in gradations of འཛག་པ་དགྷོ811?jta26 And it is hoped that the contents of - sennogy will thus be found to present a certain pistes" in the noble language of Shelley, Foem which all poets, like the co-operating sofre great mind, have built up since the cf the world.” ass his long survey, the Editor trusts he may -- withate grečism, that he has found the vague general m* a pegular Fame more just than those have why with too severe a criticism, would confine vans Poetry to "the selected few of many Not many appear to have gained reputation cs gone gift or performance that, in due degree, * and if no verses by certain writers who 488 surength than sweetness, or more thought than expression, are printed in this volume, it be imagined that they have been excluded mach hesitation and regret,—far less that they - sighted. Throughout this vast and pathetic Singers now silent, few have been honoured he name Poet, and have not possessed a skill in sympathy with beauty, a tenderness of feeling, ostess in reflection, which render their works, . never perhaps attaining that loftier and finer where required,-better worth reading than what fills the scanty hours that most men spare mprovement, or for pleasure in any of its more ...ed and permanent forms.-And if this be true of more even mediocre poetry, for how much more are we indebted to the best! Like the fabled fountain of the Azores, but with a more various power, the magic of this Art can confer on each period of life its appropriate blessing on early years Experience, on maturity Calm, on age Youthfulness. Poetry gives treasures golden than gold," leading us in higher and healthier ways than those of the world, and interpreting to us the lessons of Nature. But she speaks best for herself. Her true accents, if the plan has been executed with success, may be heard throughout the following pages:—wherever the Poets of England are honoured, wherever the dominant language of the world is spoken, it is hoped that they will find fit audience. 1861. |