Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side ix
... wrote parts with specific actors in mind , and he went on acting long after he became established as his com- pany's leading playwright . He left money to actors in his will , and it was two of his long - standing actor friends , John ...
... wrote parts with specific actors in mind , and he went on acting long after he became established as his com- pany's leading playwright . He left money to actors in his will , and it was two of his long - standing actor friends , John ...
Side 19
... wrote of him ' so wholly transforming himself into his part , and putting off himself with his clothes , as he never ( not so much as in the tiring house ) assumed himself again until the play was done ' . It is the quality we now ...
... wrote of him ' so wholly transforming himself into his part , and putting off himself with his clothes , as he never ( not so much as in the tiring house ) assumed himself again until the play was done ' . It is the quality we now ...
Side 25
... wrote the plays , how long they took him , how much they were revised , and above all we have not a line to show what he thought of any of this . Ben Jonson wrote that Shakespeare ' flowed with that facility , that sometime it was ...
... wrote the plays , how long they took him , how much they were revised , and above all we have not a line to show what he thought of any of this . Ben Jonson wrote that Shakespeare ' flowed with that facility , that sometime it was ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote