Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 50
... word or image is never sufficient . Shakespeare no sooner chooses a word than he wants to set it off against another and observe the contrast . The actor has to be aware of this constant need to redefine , to des- cribe more exactly ...
... word or image is never sufficient . Shakespeare no sooner chooses a word than he wants to set it off against another and observe the contrast . The actor has to be aware of this constant need to redefine , to des- cribe more exactly ...
Side 91
Oliver Ford Davies. - words in each of these two lines , but this can't be maintained for long . The audience would wilt under the barrage . A useful guide is that , if in doubt , only strongly emphasise one word in the line , and this ...
Oliver Ford Davies. - words in each of these two lines , but this can't be maintained for long . The audience would wilt under the barrage . A useful guide is that , if in doubt , only strongly emphasise one word in the line , and this ...
Side 151
... word definition is reduc- tive , but these adjectives have rattled round in my mind ever since , and I was interested to notice that Harold Guskin , in his 2004 book How to Stop Acting , uses three very similar words : " The actor's job ...
... word definition is reduc- tive , but these adjectives have rattled round in my mind ever since , and I was interested to notice that Harold Guskin , in his 2004 book How to Stop Acting , uses three very similar words : " The actor's job ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote