Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 50
... wants to set it off against another and observe the contrast . The actor has to be aware of this constant need to redefine , to des- cribe more exactly , or sometimes more ambiguously , what she is thinking . REPETITION is another key ...
... wants to set it off against another and observe the contrast . The actor has to be aware of this constant need to redefine , to des- cribe more exactly , or sometimes more ambiguously , what she is thinking . REPETITION is another key ...
Side 101
... wants his love . Hamlet may still feel love for Ophelia , but his father's murder and his mother's rapid marriage have changed everything . Viola doesn't want to woo Olivia for Orsino , she wants Orsino for herself . Olivia finds ...
... wants his love . Hamlet may still feel love for Ophelia , but his father's murder and his mother's rapid marriage have changed everything . Viola doesn't want to woo Olivia for Orsino , she wants Orsino for herself . Olivia finds ...
Side 237
... want things to return , as far as is possible , back to normal ? He wanted his brother's crown and his wife , and now he wants his son too . In saying ' You are my heir ' , is he also saying ' Love me , as you loved your father ' ? A ...
... want things to return , as far as is possible , back to normal ? He wanted his brother's crown and his wife , and now he wants his son too . In saying ' You are my heir ' , is he also saying ' Love me , as you loved your father ' ? A ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote