Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 45
... tragedies he seems possessed by certain words and motifs which form a network of sense and allusion . They act as a ... tragedy and romance . It occurs 44 times in Macbeth , but ' night ' , ' darkness ' , ' blood ' , ' man ' , ' done ...
... tragedies he seems possessed by certain words and motifs which form a network of sense and allusion . They act as a ... tragedy and romance . It occurs 44 times in Macbeth , but ' night ' , ' darkness ' , ' blood ' , ' man ' , ' done ...
Side 125
... tragedies women are usually thrust into supporting roles and killed off by the end ( Hamlet and Claudius have nearly ... tragedy were daughters in revolt : Juliet and Cordelia are as determined to defy their fathers as Imogen and Celia ...
... tragedies women are usually thrust into supporting roles and killed off by the end ( Hamlet and Claudius have nearly ... tragedy were daughters in revolt : Juliet and Cordelia are as determined to defy their fathers as Imogen and Celia ...
Side 128
... tragedy about madness and old age . ' 39 Just as it's important to look for comedy in the tragedies , it's vital to give weight to tragic passages in the comedies . Imogen , Helena , Portia , Viola and Rosalind don't have an obvious ...
... tragedy about madness and old age . ' 39 Just as it's important to look for comedy in the tragedies , it's vital to give weight to tragic passages in the comedies . Imogen , Helena , Portia , Viola and Rosalind don't have an obvious ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote